They aim to ignite a fierce dialogue around democracy, challenging the status quo with provocative acts and bold statements. The band, often described as boundary-pushing, announces a new era with a concept album that pairs rivers of sound with sharp social critique. The tenth release is due to arrive during Mallorca Live Summer, tomorrow, at the Old Calvià Aquapark, starting at 22:00.
Let’s discuss the new disc Songs of Water and its social critique as a core component.
It is an album born from the pressure of confinement and the complexities of collaboration, a project that was shaped under difficult conditions and demanded quick decision-making. The band members speak about the constraints that govern everyday life, and how those constraints influence the music. The aim was to communicate clear ideas to listeners who identify with them. The record reflects a sense of urgency, offering a direct, unpolished snapshot of the moment. Early releases focused on singles that tackled the most immediate topics at hand.
Topics like the idea of a new normal and its concrete implications.
That term was popularized by media discourse at a particular moment, describing a forced adjustment to a new routine. In parallel, real-world events resembling the themes in the songs emerged—rising tensions in major cities, revolutions against powerful forces, and media censorship that left certain realities unseen by many. The music seeks to challenge that invisibility and provoke thought about what is happening beyond the surface.
Too much emphasis on the so-called rocky edge of the scene.
(laughs) This track carries multiple meanings about power dynamics, often acting in arbitrary ways. It isn’t about blaming any one group, but it does push hard against those who wield influence without accountability.
Independent or fashionable?
In the view of the band, independence remains a fundamental value in art and music. Any form of artistic or intellectual expression that sacrifices personal stance for propaganda loses its edge. It is encouraging that independence has gained visibility. Everyone who contributes to the cultural landscape should do so without being swayed by economic or political pressure.
Some of the new faces in the indie scene include emerging artists like Amaia and Saints, whose work the band followed with interest. Regarding the latest collaborations, what are the thoughts about Amaia’s version on the last album?
The reaction was positive. The bandmates heard it through a quick demo and were impressed by its resonance. The track feels dark and intense, weaving a story of impossible love and complicated circumstances. It is precisely that kind of honesty that the younger generation often seeks in music. The collaboration feels timely and emotionally powerful.
What should Majorca audiences expect from this appearance? Planets, perhaps?
The plan is to deliver a concert that blends the deepest, most unadorned rock with a dynamic live show. The repertoire is rich and ready to reveal a performance that moves with tempo and contrast. Audiences can anticipate a compelling, immersive experience that showcases the band’s growth and the urgency of their message. They will likely walk away with a sense of having witnessed something persistent and alive, something that lingers long after the final chord fades.