A performer known for her bold stage presence, Lolita Milyavskaya spoke frankly about the fears that accompany a life lived under bright lights. In a candid interview on Channel Fifth, she opened up about her ongoing stage nerves. She admits that the prospect of stepping onto a crowded stage still triggers a deep sense of anxiety, sometimes escalating into fits of panic and even tantrums before a show. This vulnerability sits in contrast to her public image as a charismatic entertainer, reminding fans that even seasoned performers carry private worries.
One particular fear that she discussed at length is flying. The idea of boarding an airplane remains daunting for her, and she has not avoided the skies entirely, but she does rely on careful preparations to manage it. Before takeoff, she turns to sedatives to steady her nerves. The dosage is described as a careful calculation, adjusted according to how long the flight will be, in an effort to keep anxiety in check while she travels to performances.
She explained that the sedative helps erase the most disruptive sensations, though it can also lead to a sense of heaviness that makes the day of a concert feel more challenging. When she is booked to sing that evening, the struggle is real: the physical and emotional tension can complicate the ability to perform, even for someone who has spent years in the spotlight. The statement makes clear that such medications are not a one-size-fits-all solution but rather a personalized approach to managing travel and performance schedules.
Beyond the stage and the sky, Milyavskaya described herself as an inherently restless person. That restlessness has tangible consequences for her health, and she is cautious about how it develops over time. Her concern is not merely about momentary nerves but about the potential for a chronic pattern to escalate into paranoia as she grows older. She frames these fears as common experiences that many people encounter as they navigate aging, rather than as unusual or isolated afflictions.
In reflecting on her life, she also touched on the personal turmoil that followed her divorce from showman Alexander Tsekalo. The aftermath included periods of unemployment and a sense of betrayal, experiences that added another layer to her public journey. These chapters reveal a resilience that has helped shape her career, even as the emotional terrain grew more complicated. At every turn, her story underscores a human truth: fame does not inoculate a person from anxiety, discomfort, or heartbreak. It simply reframes them in the glare of the spotlight, where every fear is amplified and every moment of doubt can feel decisive.
Overall, the voice she shares is one of honesty about the pressures that accompany a life spent in the public eye. Her portraits of fear—whether tied to performance, travel, or the slow drift toward paranoid thoughts—offer a window into the quiet battles fought behind the curtain. They remind audiences that managing mental and emotional wellbeing is an ongoing process, one that requires attention, balance, and support as years accumulate and new chapters unfold. Candid discussions like these help destigmatize anxiety and show that strength can coexist with moments of vulnerability, especially in a profession where stress is a constant companion and resilience is the currency of success. Citations: interview with Channel Fifth; public statements regarding travel, performance, and personal life.”}