Dmitry Pevtsov spoke about sustaining a strong marriage in a candid interview, explaining that love flourishes when a person works on themselves first. He argues that marriage benefits from ongoing self-education, a daily choice to consider the partner and family, and a readiness to share, support, and grow together rather than turning inward. This approach transforms affection into practical daily actions, not just spoken promises, and it rests on a simple axiom: forgiveness is often the invitation to heal and move forward for the sake of both partners.
The artist emphasizes that meaningful connection in marriage requires visible, steady demonstrations of care. He describes a steady rhythm of listening, recognizing, and responding to his spouse, ensuring that affection is felt through deeds as much as words. Over time, he has come to believe that both partners contribute to the relationship’s continuity and happiness, through mutual patience, attentive listening, and a willingness to forgive when mistakes occur. In his view, the beauty of a long union lies in the daily effort to nurture trust and happiness together.
In discussing his own journey, Pevtsov notes that staying close to one’s partner means actively choosing to see the other person and to meet their needs. The idea is not to demand or to compete, but to create an environment where love can be felt in practical acts—small sacrifices, shared responsibilities, and consistent encouragement. The mindset here is that every day offers a chance to renew commitment and to demonstrate that the relationship matters above personal convenience.
Pevtsov has been married to actress Olga Drozdova since the mid-1990s, a union that began on the set of the film A Walk on the Scaffold. Their marriage, which began in 1994, has grown alongside their family life, with the birth of their son Elisha in 2007. This narrative underscores how shared projects and parenthood can deepen a couple’s bond, turning professional collaboration into a platform for personal partnership and growth. The family dynamic is presented as a living example of the principles he values in a lasting relationship.
Before meeting Drozdova, Pevtsov was married to actress Larisa Blazhko, and their son Daniel was born in 1990. The couple eventually separated, a reminder that even in the arts, relationships may undergo significant transitions. The experience did not diminish Pevtsov’s belief that love and family deserve ongoing effort, learning, and resilience. It stands as a testament to the natural course of life in which relationships evolve, and where responsibility to children and partners remains a driving force for personal development and reconciliation with one’s past.
In recent months, public attention has included remarks about possible new romantic connections involving Victoria Bonya, illustrating how public figures often face speculation about their private lives. The broader takeaway from these discussions centers on how personal relationships become topics of public discourse, while the core message remains about the daily work of caring for loved ones, communicating openly, and choosing to invest in family life despite external chatter.