Rapper Alexey Dolmatov, known as Guf, returned to a rehabilitation clinic after finishing his Moscow concert. Life reports the sequence of events, noting that the night began with the performance and ended with a move toward treatment. According to Life, the artist left the venue with his girlfriend in a Mercedes and, after a brief stroll through central Moscow, headed to the rehabilitation facility. Observers describe the exit as calm, with the musician not engaging with reporters who sought comment on the episode and his ongoing treatment. The coverage underscores that this transition from stage to clinic is part of a broader path he has been navigating, a topic that has sparked ongoing public discussion about his career and personal life.
After the Moscow show, Guf and his companion left the arena in a Mercedes and spent a short time walking through the city before making their way to the rehabilitation center. The scene combined the glow of a late night in the capital with the hush around a private step in his personal journey. Fans and photographers tracked the car as it moved along familiar streets, while social media chatter turned to speculation about what the night signified for the rapper’s rehabilitation process. The more measured observers emphasized that the events should be understood within the framework of his public life, where fame, legal matters, and personal turmoil have all intersected in recent years. The narrative that night suggested a deliberate tempo: a transition from the performance to the quiet confines of a facility aimed at recovery, rather than a mere afterparty retreat.
Guf did not respond to journalists’ questions when approached after the exit. Reporters and cameras gathered, attempting to glean his thoughts on the night’s developments and the broader situation around his rehabilitation. The silence left room for interpretation, while supporters urged patience and respect for a period that many see as crucial for his well being and ongoing treatment.
Earlier that month, reports described an incident at a bath complex in the Moscow region that led to his placement in a rehabilitation setting. On the night of October 23, the rapper and his entourage rented a bathhouse in the town of Aprelevka. According to staff, Guf did not pay a portion of the rental and subsequently became involved in a confrontation with the manager’s brother, who was a police patrol officer. The account from the facility’s staff painted a picture of a tense private moment that attracted subsequent media attention and added to the complexity of the artist’s public narrative. The episode fed discussions about accountability, responsibility, and the pressures that accompany a high profile life.
On October 24 a report was filed against the rapper charging petty hooliganism. He later released a video from the police department in which he apologized for the incident. The clip circulated widely online, joining a broader dialogue about behavior, consequences, and the challenges of balancing artistic life with expectations from the public and the law. Observers noted that the apology signaled an attempt to acknowledge the moment and to move forward within the legal process and treatment plan.
On November 22 the artist performed in Moscow while wearing an electronic bracelet. The device had been issued as part of a court decision imposing preventive measures that restrict certain actions. The bracelet served as a public reminder of the ongoing legal framework surrounding his activities. Earlier in the same period, during a Moscow concert, Guf had proposed to his girlfriend on stage, a personal moment that contrasted with the broader legal and rehabilitation context and highlighted the multifaceted nature of his career at this time.