Grigory Leps, the well-known singer, disclosed that he does not maintain contact with the son he welcomed out of an extramarital relationship. The singer’s remarks were shared in an interview with Channel Five, and the statement has since become a focal point of public discussion about his personal life and paternity.
In the interview, Leps stated that he had only one impression of the situation after a single encounter. He described the person as already mature and part of a loving, thriving family environment. He added that there was no reason for anyone to pursue further contact, emphasizing that the child is well cared for and integrated into a stable family setting. The singer’s comments suggest a strong boundary between his own artistic life and private family matters, a line he appears intent on preserving.
According to the reports, the child’s mother conceived the first child during a brief romance. At the same time, the young woman herself seems unaware of the famous father she has, given his established career and the life he leads with another family. The narrative underscores how fame and personal history can sometimes intersect in ways that leave some parties insulated from public scrutiny while others navigate the complexities of media attention and privacy.
Earlier in December 2021, Leps and his former wife Anna Shaplykova ended their 20-year marriage. The separation was initiated by Shaplykova, who cited a growing crisis in the relationship as the reason for the breakup. The former couple shares three children—Ivan, Eva, and Nicole—who have remained a central part of the family dynamic through the years, balancing public interest with the need for normalcy in their private lives.
Beyond his life in Russia, Leps is also connected to another daughter named Inga, aged 38, with artist Svetlana Dubinskaya. In September 2022, Inga welcomed a grandson, adding another layer to the family story and illustrating how his personal and professional life has continued to unfold across generations.
In recent remarks, fellow performer Masha Rasputina floated the possibility that Leps may have additional illegitimate children, a claim the public quickly amplified. Rasputina teased her own experiences from years on the road, noting how common it is for public figures to have private chapters that never fully align with their public personas, and she spoke with a hint of humor about the complexities of such revelations.
Rasputina went on to share that, if she were in Leps’ position, she would be drawn to locating and meeting her own son, underscoring the universal human curiosity that can accompany celebrity status and unknown paternity. The conversation touched on themes of family, identity, and the emotional resonance that accompanies a public figure facing questions about bloodlines and lineage.
Meanwhile, previous reports have mentioned another public figure connected to the saga—Nikita Presnyakov—who has recently been subject to official inquiries and attention from authorities. The overlapping stories of these artists highlight how personal matters can intersect with legal and financial realities in the lives of those who live under constant media scrutiny, creating a mosaic of public interest and private pain.