Grigory Auerbach, a veteran professor at the Russian Institute of Theatre Arts (GITIS) and a respected member of the Composers’ Union, has died at the age of 73. The university confirmed the news through its official channels, honoring a career devoted to advancing music and theatre education. Over many decades, Auerbach shaped the next generation of composers and performers by influencing curricula, mentoring young talent, and guiding creative growth through a steadfast belief in craft, discipline, and the power of music to illuminate human experience. In his role with the Composers’ Union, he helped bridge academic study with the professional world, fostering collaborations that connected classrooms with stages, studios with concert halls. Colleagues remember him as a tireless advocate for rigorous training and a thoughtful artist who balanced technical skill with expressive freedom. His influence extended beyond the classroom through seminars, performances, and collaborative projects that emphasized heritage, innovation, and the responsibilities of a composer to society. Students recall his insistence on clear technique, his patient approach to problem-solving, and his willingness to challenge them to refine their voices while staying true to their artistic vision. During his years at GITIS, he contributed to a tradition of practical education where theory met practice, helping students translate theoretical insight into tangible musical outcomes. His dedication to nurturing emerging artists reflected a broader mission to keep the performing arts vibrant and relevant, both within Russia and in the wider cultural conversation. The legacy of Auerbach’s work lives on in the many graduates who carry forward his standards of precision, curiosity, and ethical responsibility in their own creative endeavors. Even as the music world evolves with new technologies and changing audiences, the principles he championed persist—persistence, mentorship, and a deep respect for the craft—remaining central to the institution and its community. In remembrance, colleagues emphasize the importance of strong arts education, a field that benefits greatly from individuals who invest years in developing others. Auerbach’s impact is measured not only by published achievements or formal titles but by the ongoing influence of his teaching on students who continue to contribute to theatre and music with discipline and imagination. The university community and the wider artistic circle mourn the loss of a mentor who helped shape countless careers, while also acknowledging the enduring imprint of his work on contemporary arts education. As the profession reflects on his passing, there is a sense of continuity: the values he embodied and promoted remain a guiding force for teachers, composers, and performers who aspire to thoughtful, technically sound, and aesthetically compelling creative practice. The life of Grigory Auerbach stands as a testament to the role educators play in sustaining culture, inspiring others to explore new possibilities, and honoring the traditions that have shaped the art form for generations. In this moment of remembrance, the community looks to future generations of students and colleagues who will carry forward the lessons he imparted and continue to build on the rich foundation he helped establish. The news of his passing is met with reflection on a career marked by dedication, mentorship, and a lasting commitment to the development of musical theatre and composition as vital, living disciplines.