George Blass, a Madrid-born magician who rose to prominence in the late 20th century, returns with a bold new magic show that blends invention with crowd connection. He notes that the production features his best hopes and most innovative ideas to date.
What will this new show be like?
It will be intensely interactive. Spectators will have a chance to participate directly from their seats, and while not everyone will be invited on stage, everyone in the audience can perform magic with their own hands. The show targets a broad audience and showcases Blass’s latest visions. Visual, cinematic tricks, and magic performed with mobile devices are central to the experience. Sleight of hand remains a pillar of the act, a classical skill where things appear or vanish at the magician’s touch. Audiences should expect a stream of surprises. Importantly, the performance is designed for all ages, from roughly four or five years old up to 120, making it a family-friendly event with wide appeal.
Where do the inspirations come from to modernize the routines in a fast-moving world?
The source is the audience itself. The public has evolved, and Blass has watched tastes shift as technology becomes more ingrained in everyday life. The staging and effects reflect these changes, blending new tech, contemporary set design, and ample interaction. In this view of 21st-century magic, the audience does more than watch — they participate, shaping the magic in real time. [Attribution: contemporary magic trends]
Is it harder to grab attention now than at the start of his career? Is casting a spell more challenging?
Yes, attention spans have shortened. Keeping a room engaged for an hour and a half requires constant momentum, wit, and wonder. The show Blass presents is built with rhythm and emotion, offering high-energy moments alongside intimate, awe-filled passages. Viewers can access technologies they once could only imagine, broadening the spectrum of what magic can look like online. The tricks itself have grown more intricate, with backstage logistics that challenge even seasoned performers. [Cited: evolving magic practices]
A magician usually trains continually. Does Blass ever think about magical schools or formal institutions?
There are many magical organizations and gatherings where learners swap stories and seek mentorship. Magicians meet in rings and clubs to exchange advice, and the internet has made learning more accessible than ever. Magic remains a craft of study and practice, combining text, mentors, and hands-on experience. The path may be less charted than it once was, but it is alive and evolving. [Reference: global magic communities]
As the founder and director of the Madrid International Magic Festival, Blass collaborates with colleagues from around the world.
Absolutely. The festival exposes performers to diverse approaches from Korea, the United States, and various European nations. It demonstrates that Spanish magic is thriving, and recent international awards have often highlighted Spanish talent. The global stage confirms the strength of Madrid as a hub for magic, and the community’s achievements deserve recognition. Celebrate the exchange of ideas on the world stage. [Attribution: international magic communities]
Can magic principles be applied to everyday life and business?
There is a philosophy behind magic that translates well to professional settings. A magician must continually surprise, know the audience well, and turn dreams into tangible outcomes. Innovation requires renewal—doing the same thing repeatedly is not sufficient. These ideas inspire corporate cultures and help improve teamwork and client engagement, turning wonder into practical value. [Cited: business psychology of magic]
Undoubtedly, one of magic’s most beautiful aspects lies in its healing power. Blass is associated with the Abracadabra Foundation, a cause focused on bringing magic into hospitals and therapeutic settings.
This project began years ago and has evolved into a meaningful journey. Magic is used for therapy, education, and empowerment, helping children and adults build confidence, communication, and self-expression. The foundation supports workshops where participants learn to become magicians themselves, which can boost self-esteem and motor coordination. [Attribution: Abracadabra Foundation]
What qualities define a successful magician?
The core trait is a deep passion for magic. It is a serious art that demands hard work, clear communication, and a lifelong study of methods and masters. Above all, an enduring love for the craft drives honest practice and constant refinement. [Inspired by professional perspectives]