Garayev, who authored the book The Boy’s Promise, shared with the portal that he faced threats because of his work. There were calls, and one individual he had met altered their stance, promising to break his legs if anything happened. He described a mix of astonishment and belief that the person could be reasonable, yet the threat was a stark surprise that lingered in his thoughts.
During the project, the work involved investigative elements, with a deliberate choice to stay clear of individuals tied to criminal activity. Still, the risks were acknowledged from the outset and accepted as part of the preparation phase. The tension underscored a hard reality about reporting and storytelling that touches on dangerous circles.
Recently, director Kryzhovnikov explained the decision to reshoot the final episode of A Boy’s Words. The director emphasized that the supporting characters Turbo, portrayed by Slava Kopeikin, and Winter, played by Lev Zulkarnaev, hold a special place with audiences, commanding affection and attention. The resolution to reshoot was not driven by external orders; instead, the choice stemmed from a conviction that the finale could be improved and sharpened to deliver a stronger impression for viewers.
Earlier comments from Oleshko touched on the likelihood of a sequel to Daddy’s Little Girls. The conversation highlighted ongoing plans and the broader trajectory for the project, hinting at continued storytelling that expands the original premise and explores new chapter-worthy moments for the audience to engage with.