The upcoming psychological thriller Freud’s Last Session has been under the lens during recent filming scenes featuring Anthony Hopkins and Matthew Goode. The project captures a tense, imagined dialogue between the father of psychoanalysis, Sigmund Freud, and the Irish-born writer Clive Lewis, as both characters arrive at a pivotal moment in history.
The story centers on Freud, portrayed by Hopkins, and Lewis, brought to life by Goode, as they navigate a provocative clash of ideas. Set against the backdrop of the late stages of Freud’s life, the drama unfolds as Europe stands on the brink of another world war. The screenplay, authored by Mark St. Jermain, is crafted to weave together elements drawn from actual events with fictional conversations, offering a contemplative examination of belief, doubt, and the human need for meaning.
In this narrative, the plot zeroes in on a meeting that never happened on the page of history: a dialogue between Freud and Lewis about the existence of God. The film promises to juxtapose the stark, clinical world of Freud with the literary imagination of Lewis, presenting a debate that mirrors the era’s broader tension between science, faith, and existential inquiry. As the actors inhabit their roles, the audience is invited to witness a dialogue that blends intellectual rigor with emotional depth, revealing how personal histories and philosophical convictions influence one another.
On screen, the production aims to balance reverence for historical figures with the inventive spark of fiction. The storytelling will also explore the complicated dynamic between Freud and his daughter Anna, alongside Lewis’s relationship with the mother of a close confidant, adding layers of family and friendship to the central intellectual confrontation. The result is a multifaceted portrait that considers how relationships shape belief and how belief, in turn, shapes relationships.
Directed by Matt Brown, whose previous work includes The Man Who Knew Infinity, the film is positioned to deliver sharp dialogue, intimate performances, and a measured pace that suits its philosophical premise. Though the release is anticipated to arrive toward the end of a year, audiences can expect a thoughtful, character-driven drama that invites quiet reflection as much as it does suspense.