For four decades, he walked the stage with no spoken words, his voice unheard. Now he steps forward with a vengeance, Carlos Sans of Tricicle breaking his silence. Finally alone is a show where he shares memories and stories from forty years in the spotlight. Paco Mir and Joan Gràcia arrive at the Gran Teatro de Elche on Sunday at 19:00. He offers a personal note, a professional tip he shares with the audience.
After forty years of silence, he now speaks freely on stage.
Yes, in truth he does. The decision to reveal so many funny, genuine anecdotes grew from a sense of necessity after years of quiet. Much of the material is humorous and true, and he emphasizes the gestural energy that still defines Tricicle. The performance hinges on his interpretation and the joy it brings to the audience.
He also touches on the secrets of Tricicle, though nothing compromising is revealed. The stories are funny and surprising to many, including personal moments that trace the group’s history. It becomes a chronological journey, showing how the trio met and how the act evolved, an aspect that people find engaging and entertaining.
Questions arise about the shift from gesture-based performance to speaking directly to the audience. The transition has been challenging because audiences often expect the familiar stage language. Yet many attendees leave the show exhilarated, even those who feared the change would dull the experience.
Carles Sans, titled “Finally alone!” is captured in a promotional caption.
Like Sara Montiel or Esperanza Aguirre, the performer not only speaks but also imitates sounds to create character voices.
Creating the characters comes naturally to him. He emphasizes that the show is never a mere monologue; it is a theatrical production with visual elements and character voices. He draws from his theater background to give each character a distinct voice, moving beyond gestures to incorporate sound and composition. He enjoys shaping the essence of every figure.
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With gesture as a foundation, improvisation expands, yet memorizing a fixed script posed its own challenge. Initially, the idea of idle moments and constant memorization was terrifying, but over time the process became manageable.
Is an animated show different from a text-driven show? The plan was clear in his mind, and he leaned on a trusted collaborator, José Corbacho, for outside perspective. The collaboration yielded strong ideas and a smoother development, making the journey feel much easier.
“One of the panics I had was being idle for over an hour. At first, having to memorize the word was a big change”
After leaving a trio, he worked with José Corbacho, directing at times and performing solo at others. The experience of performing alone is challenging but rewarding, and the success proves he can thrive on his own and even flourish without the trio.
When asked whether he shines more while sharing Tricicle anecdotes or remaining quiet, he laughs and says there are moments to pause and moments to tell. The balance seems to suit him well, with narrative and humor intertwining to invite laughter.
Is Carles Sans funnier when quiet or when talking? He reflects on preparing material, discovering that telling jokes after dinner with friends drew genuine laughter. He realized speaking aloud could spark that same joy with an audience, and the show embraces both elements.
Actor Carlos Sans is pictured in promotional photography.
Tricicle’s humor has always been accessible to both children and adults. The show deliberately avoids crossing boundaries while still delivering sharp, playful dialogue. The text guides the delivery, and the performer keeps a firm handle on timing, knowing when to push and when to pull back. The aim is to entertain without compromising the spirit of the act.
Humor remains essential in difficult times, he notes. People pay for a moment of release, and a generous dose of humor has always offered relief, helping communities cope with tough days and long challenges.
“I miss my colleagues, but when you see that you do something alone and it works for you, it gives you a lot of fuss.”
Will Tricicle ever return to the stage? Not at the moment. Each member pursues their strengths, and while the brand endures, a full reunion does not seem likely. The individual journeys continue to shape the troupe’s legacy.
What about living a life on the road as a solo performer? The drive remains strong. A rewarding chapter is unfolding, and the love for live theater pushes him to keep exploring new projects. The day-to-day is enjoyed, and while collaborations may occur, the focus is on making each performance meaningful.