In May brought a heavy blow for Enrique Bunbury’s followers: the renowned Zaragoza-born artist announced he would not perform live again due to a persistent throat issue that offered no easy remedy. Since then, Bunbury has stayed active on social media, revisiting previous milestones and hinting at upcoming projects. He confirmed a new album was in the works and even shared a photo showing Jerry Ordóñez handling the mixing at a Los Angeles studio in December.
Hints emerged in a measured drip, with Bunbury revealing on social media that May 26 would mark the release of his highly anticipated new album. The announcement created a wave of excitement, and this week the first single from the record, titled Invulnerables, was announced and will be available across multiple streaming platforms beginning this Friday.
new band of musicians
There is a sense of change sweeping through social media circles, and fans are eager to hear the new direction of Enrique Bunbury. He parted ways with Los Santos Inocentes to pursue a fresh path alongside new collaborators. While the single is already out, the full album will arrive in four months, with more singles likely to appear in the interim. This has led to questions about whether Bunbury will tour again. He has not disclosed touring plans, but given his history of surprise appearances, it’s possible he could perform at special occasions tied to the album release. Until any official statement, fans must wait. Bunbury’s career has always thrived on instinct and unpredictability, rather than strict schedules, so anything could happen.
The May storyline is notable because it marks a period when Bunbury’s projects tend to surface. He has often released music in May, a pattern fans recognize from past records such as It’s Possible, Journey to Nowhere, or Flamingos.
Second poetry collection
Beyond music, Bunbury expanded his creative footprint with the launch of a second poetry collection, MicroDosis, published by Cantico. The volume unfolds as a diary in which the author candidly describes a two-year period of microdosing psilocybin, weaving a confessional tone through the pages.
In the foreword, Vicente Gallego speaks openly about the collection: “From the cosmic reach of personal annihilation to inner journeys where the familiar becomes unbearable and the extraordinary leans into the extravagant.” The pages, written with raw honesty and an unmistakable devotion to life, confront the world with a fearless, almost brazen, voice.
Enrique Bunbury’s creative output in recent months has included a public portrait of a musician who remains intensely active, whether in the studio or through social channels. A recent photo from a Los Angeles studio shows him immersed in mixing work, underscoring that the artist is far from retiring and continues to push artistic boundaries. This snapshot, paired with his new material, signals a busy period ahead for fans in North America and beyond, eager to see how Bunbury’s new musical and lyrical direction unfolds.
Thus, what seems clear is that whether he performs live soon or not, Enrique Bunbury remains a vital force in contemporary Spanish-language music. The Zaragoza artist appears more contemporary than ever, with a slate of projects that promise new sounds, sharper imagery, and a continued willingness to explore the edges of his craft. This momentum keeps him relevant in Canada, the United States, and other markets keen to hear how his art evolves.