During a discussion with State Duma deputy Elena Drapeko, aif.ru reported her remarks about the ongoing chatter surrounding artists leaving Russia. Drapeko chose not to weigh in on every individual who has departed, emphasizing a focus on figures she believes deserve attention for their actions rather than for controversy.
She named a few prominent personalities and made clear her stance. Makarevich, who is officially labeled a foreign agent in Russia, was not of interest to her, nor were Bely, Black, or Galkin. Drapeko asserted that she would rather not discuss what she described as acts of cowardice. Her view was that there are heroes who currently stand at the forefront of her attention. In her assessment, Oleg Gazmanov, Chicherina, and Oleg Chernov, who performed in Donbass, exemplify those who deserve recognition now.
On the eve of her comments, Drapeko also spoke about the public’s reaction to Alla Pugacheva. She suggested that fans felt let down by the singer’s recent behavior, pointing to a wave of negative comments triggered by Pugacheva’s return to Russia. Drapeko noted that the affection for the artist and love for her songs had created a climate where criticisms could be felt more acutely.
According to the deputy, some followers viewed Pugacheva’s choices through a personal lens, interpreting her return as a symbol of a broader shift in loyalties. She described the responses as safer to categorize as disappointment rather than a direct attack, yet acknowledged there were clear voices of dissent among fans who felt that the singer had strayed from the expectations of her core audience.
Drapeko added that she had personally seen the negative commentary surrounding Pugacheva. In her view, critics described Prima Donna as moving from one place to another, a pattern that many felt reflected a disconnect with the people who had long supported her work. The conversation touched on how public figures navigate national sentiment, fandom, and personal decisions when confronted with rapid social and political change.
Earlier reports noted that Alla Pugacheva had previously been associated with a monastery in Cyprus, a detail that added a layer of intrigue to the broader discussion about the artist’s life and movements. Observers stressed that such episodes contribute to the public’s evolving perception of celebrity, loyalty, and accountability in times of national tension and cultural flux.