Belarusian singer Dmitry Koldun spoke about the sixth season of the Star Factory program, as reported by News.ru. The discussion centered on allegations that the participants drank alcohol despite a formal ban.
According to Koldun, there were individuals who repeatedly supplied them with alcohol throughout the shoot. He recalled that the program’s doctor would often hand out bottles of alcohol to the contestants, which they shared among themselves in the course of filming.
As the story goes, the group gradually diminished. Koldun recalled that they began by dividing into eight groups, then seven, and eventually only five remained still active on the project. He described the environment as increasingly chaotic and, in his view, more intoxicated as days passed.
Koldun claimed that alcohol made the studio days more entertaining for some, and he himself felt a surge of excitement that carried him through to the finale. The narrative hints at a dynamic where celebration blurred boundaries and affected performances.
Ultimately, Dmitry Koldun emerged as the winner of the sixth season of Star Factory. His win led to his representation of Belarus at the Eurovision Song Contest in 2007, placing him on a prominent international stage.
In a separate reflection, the participant revealed a financial dispute with producer Viktor Drobysh. He stated that he had not received the promised one hundred thousand rubles, a sum that had been publicly pledged to the five finalists of Star Factory. Despite this, Koldun noted that a collectible guitar gifted to him during the program remained a trusted keepsake and continues to serve him well in his career.
Earlier, Koldun spoke about a recent meeting with President Alexander Lukashenko following his Eurovision appearance, describing a moment of personal significance that connected his early career with a wider national audience. These remarks contribute to a broader portrait of a performer whose path intersected with national media narratives and state recognition.
Throughout these reflections, the thread remains clear: Star Factory served as a catalyst for Koldun’s rise, even as the period was marked by disputed payments and controversial backstage anecdotes. The narrative touches on the pressures of reality television, the rewards of success, and the lasting implications of early career milestones for artists in the region.