Denis Matsuev, the renowned Russian pianist, shared experiences from a career that mirrors the breadth of the modern concert stage. In an interview with Rossiyskaya Gazeta, he reflected on performing across 45 countries with the New Names Foundation, a journey that traces back to the 1990s and continues to resonate in today’s global musical landscape.
According to Matsuev, his performances have graced many esteemed venues and institutions. He recalled appearances at the General Assembly of the United Nations, at UNESCO, and at NATO headquarters in Brussels. He spoke of moments on stages with the Queen of England, and a notable recital in the Vatican before the Pope. He recalled a time when a future looks as improbable as a Russian ensemble receiving a standing ovation at NATO, a memory that underscores the shifting cultural dialogue of the era. As he put it, Brussels newspapers at the time proclaimed, The Russians have conquered NATO, while the alliance’s leadership gently clarified that such a conquest was not the aim; they simply welcomed artistic exchange. These recollections emphasize how music can transcend political boundaries and foster surprising connections across continents and institutions.
The interview also touched on upcoming milestones. Matsuev spoke on the eve of the opening of the first International Youth Piano Competition named after SV. Rachmaninov, scheduled for March 21 in Veliky Novgorod. In this regional cultural hub, fifteen young contestants from the local philharmonic ensemble prepared to perform in two rounds, showcasing the next generation of pianistic talent and the enduring appeal of classical repertoire in contemporary settings.
In a broader cultural moment, the artist’s career has intersected with how Europe and other regions perceive classical music amid political shifts. Controversies and cancellations surrounding performances have sparked debates about cultural access and the responsibilities of artists in times of tension. The dialogue, though difficult, has often highlighted the resilience of the music world and its capacity to bring people together even when other channels are strained. Matsuev’s reflections remind readers that art continues to travel, adapt, and inspire across borders, serving as a bridge between audiences and composers across generations.