In a public stance, producer Iosif Prigozhin defended People’s Artist of Russia Leah Akhedzhakova after her dismissal from the Sovremennik Theater, speaking to mk.ru about the ongoing dispute. He urged the theater to welcome her back, underscoring that the 84-year-old actress has given decades of performances that shaped generations of viewers. Prigozhin noted that while Akhedzhakova may hold firm opinions or disagree with certain practices, outrightly stripping her of work is not just harsh — it is hard to justify on any fair assessment of her career and contributions. He pointed out that performers, even those with long and storied careers, should not be left without a stage, since their presence often anchors the artistic integrity and emotional memory of the audience.
Prigozhin described Akhedzhakova as someone who has brought life to the screen and the stage for many years, influencing countless fans and fellow actors. He acknowledged that disagreements can arise in a creative institution, but emotional loyalty and respect for a performer’s legacy should not be discarded with a single decision. The producer emphasized that there are channels and conversations that can resolve issues without severing a performer’s connection to the theater community. His comment suggested a preference for dialogue, restoration, and a path that maintains the theater’s cultural mission while addressing concerns that may have sparked the controversy.
Earlier, Akhedzhakova had indicated that letters from audience members urging a review of her status at Sovremennik were not shared with her. She explained that management had responded to public concerns by closing performances featuring her participation, yet she did not receive the supposed correspondence. The actress recalled a long association with the Sovremennik Theater, where she had performed for 45 years, and she raised questions about transparency and process in how complaints were handled. The situation underscores how communication gaps can complicate public perception, leaving actors and audiences uncertain about the reasons behind management decisions and the future direction of a beloved institution. Akhedzhakova’s remarks highlight the importance of open channels between theater leadership, performers, and the audience when dealing with sensitive personnel matters, particularly within storied artistic establishments.