Renowned conductor Daniel Barenboim steps down from Staatsoper Unter den Linden role
Argentine-Israeli maestro Daniel Barenboim announced his resignation as music director of the Staatsoper Unter den Linden, citing health concerns after months of illness. He recently returned to the podium for the New Year’s Concert, marking a brief reengagement with the orchestra before making the decision to step back.
Barenboim explained that his health has significantly deteriorated over the past year, making it impossible to fulfill the duties of the music director to the standard he sets for himself and expects from the ensemble. He asked for understanding as he relinquishes the post effective January 31, 2023.
He had, in his statement, urged Berlin’s Head of Culture Klaus Lederer to terminate the contract and recalled that he had led the Berlin State Opera as music director since 1992. He reflected on the years, saying they had inspired him musically and personally and that Staatsoper and he were fortunate to share a productive partnership.
Barenboim expressed particular satisfaction that the Staatskapelle, the orchestra of the Staatsoper, had named him head conductor for life. He spoke of the deep sense of family that had developed among the musicians over the years, noting gratitude for those who had left the orchestra in the past and continuing respect for all its members, including staff and singers.
He also conveyed admiration for the singers, chorus, and staff of the State Opera, singling out his personal assistant Antje Werkmeister for her support. He recalled with appreciation the presence of Chancellor Angela Merkel and Bundestag Speaker Wolfgang Schäuble at moments of significance, and thanked the Head of Culture in Berlin for their support through difficult times.
Barenboim stated that he would remain engaged with music as long as he lives and would continue to conduct, including opportunities with the Staatskapelle in Berlin in the future.
Matthias Schulz, the material manager for the Staatsoper, remarked that the institution is infinitely indebted to Barenboim for more than three decades. Schulz highlighted how Barenboim enriched the house and the Staatskapelle with his artistic energy and charisma on an international scale.
The statement from the Staatsoper’s management stressed their deep respect for Barenboim’s decision, emphasizing that it was made for the good of the institution. They wished him well in his recovery and affirmed that Barenboim would forever remain connected to the house and to the Berlin Staatskapelle.
Berlin’s cultural leadership acknowledged that the decision, while difficult, was ultimately appropriate for the orchestra and opera house. The forthcoming period would require the Staatsoper and Staatskapelle to navigate a transition, guided by a commitment to the wellbeing of the organization and its performers.
In sum, the musical world recognized Barenboim’s choice as a serious, thoughtful step that prioritizes health and institutional stability. His colleagues contemporaneously expressed both respect for his artistic legacy and a sincere wish for his continued influence and recovery.