TV presenter Dana Borisova opened up about the tough turn in her career after leaving the show The Domino Principle. She says the shift forced her into work as a secular correspondent, a role that put her in front of questions she dislikes asking the stars. The experience, she notes, was not easy, and it stirred a lot of reflection on what it takes to stay visible in a demanding media landscape. This is what she told Sound complained about the period of transition and its repercussions.
“Walk around, hold a secular column, and pose questions that the stars might find uncomfortable. It was unbearable for me. I spent 15 years hosting, building friendships with many artists, and suddenly I found myself in the position of a regular reporter. I am not afraid of work, but the bitter truth is that I had to slip into my shorts to keep going,” Borisova recalled, describing the strain of reinventing her professional identity and the loss of a familiar status in the industry. This candid confession highlights the personal costs that can accompany career pivots in television, especially after long periods in a single role.
The story, Borisova continues, intersects with the experience of another TV personality, Sveta Kuritsyna, who also began her path as a reporter on a different program. According to Borisova, Kuritsyna faced a serious health challenge tied to the stress of changing jobs. The ex-wife of Maxim Aksenov reportedly developed alcoholism amid the pressures that often accompany career shifts in the public eye.
“The struggle doesn’t end with adjusting to new duties or a different pace. It can take a toll on health and well-being in ways that many people don’t see from the outside. You really can’t imagine what it’s like when the life you built around a specific role starts to crumble under new responsibilities,” the TV presenter summed up, underscoring how professional upheaval can ripple into personal health for public figures.
There have been prior discussions about the negative sides of public fame and the pressures that come with it, including the way critics may apply blackmail or intimidation in the course of a media career. These conversations, raised publicly by Borisova and others, remind audiences that the path to staying relevant can involve dealing with criticism and personal risk.