A report about the incident surrounding a well-known Russian singer and a Moscow-based case follows a sequence of events that drew public attention. The injured party, Dmitry G., was said to have been resting his day off by playing backgammon at a bar on Moskovsky Prospekt when a famous artist arrived and attempted to join the game. According to a lawyer for Dmitry, Yevgeny Kheifets, the visitor placed a large bet and produced a stack of rubles before engaging in a heated moment that led to a clash. The lawyer described Dmitry as an ordinary employee who simply wanted to finish his game, but Leps removed his glasses, handed them to a guard, and struck Dmitry. Security personnel then escorted Dmitry outside to complete the discussion of the matter. The confrontation reportedly involved Leps showing aggression toward a member of the public, and Dmitry subsequently filed a police report against the musician, as reported by local outlets. Medical observers noted bruising and a suspected broken nose, and Dmitry was released home after treatment in the emergency room. The lawyer emphasized that Leps is a public figure and that the victim has a right to pursue either reconciliation or a formal verdict, noting that the criminal case would need to be directed to the court. Initially, one version suggested the altercation arose from an attempt to photograph Leps, but the lawyer indicated the police had opened a criminal case under the provision for deliberate minor bodily harm.
“Tough Concert”
The incident followed Leps’s anniversary concert on December 2 at the Ice Palace in St. Petersburg, an event marked by a moment of tension on stage. The artist threw a microphone to the floor during a song and left the stage. Later, Leps posted on social media that the concert had not been easy and that he himself had fallen ill. Observers from Fontanka reported that the evening began typically, but a fan attempted to present a bouquet and was met with a brusque remark from the singer. When the fan turned away to pose for a photo, Leps asked why the person would take pictures when the shot would not prove friendship. He also directed criticism at another fan who tried to approach the stage during a crucial moment of the performance. While introducing the song about a city they imagined being in, Leps suggested that access would be denied unless a victory was achieved. Audience reactions, as captured by local commentators, indicated frequent onstage profanity during the performance. A spectator named Evgenia Bykova described the atmosphere as lacking the expected energy due to the singer’s apparent illness and hoarseness, noting an incident where the microphone was broken and the artist showed limited interaction with the crowd. Bykova recalled a total of seven thousand tickets and expressed disappointment that the emotional charge did not meet expectations. She also acknowledged the singer’s enduring voice and charisma, while recognizing that even a beloved performer can have off nights. She concluded that attending the concert remained meaningful for the press and for fans who associate certain songs with life memories.
In summary, the episode surrounding Dmitry G.’s report and the subsequent concert controversy illustrates how public figures can become focal points for both sympathy and critique during moments of personal strain. The public narrative continues to unfold as official responses and witness accounts are weighed by authorities and media outlets alike.