Composer Vlad Zabelin speaks about royalties and past collaborations with Alla Pugacheva
Vlad Zabelin, a composer, discussed his experiences in the music industry and his work with notable artist Alla Pugacheva. He recalled that the compensation for the song known as
“Give me, God” was modest, with earnings for a single track reported to be in the range of fifteen to twenty thousand rubles during earlier years. Zabelin noted that he has since moved away from radio and television work, and he stressed that there were no legal or moral accusations against Pugacheva from his perspective.
Speaking about his personal career and patriotism, Zabelin stated pride in his country and his roots. He mentioned that even in lean periods, a monthly average of around one thousand five hundred to two thousand rubles could be considered acceptable under certain circumstances. The musician emphasized that his commitment to Russia remains a central part of his identity and his creative outlook.
Regarding his relationship with Pugacheva, Zabelin explained that there had been little direct contact for a long time. He described that their personal closeness was never a defining feature of their professional association, and he clarified that the two did not enjoy a close friendship outside of their work together.
In a separate account from industry observers, a business figure and commentator on public information issues described Alla Pugacheva stepping in to assist the composer who faced significant personal difficulties. The report suggested that the artist learned about the struggles the composer was facing and offered support. The intervention reportedly included securing housing for the individual, who was grappling with alcohol-related challenges and had found himself without stable shelter. The arrangement also involved professional and personal support from the advocate involved in this case. The story notes that the composer eventually passed away, with the estate passing to his daughter. These details illustrate a pattern where prominent artists have historically extended help to colleagues in need, reflecting ongoing conversations about the responsibilities and humanity within the music community. The broader takeaway emphasizes how public figures sometimes mobilize resources to stabilize the lives of collaborators during tough times, even when outcomes are tragic and complex.