Comedian Ilya Sobolev discussed a costly misstep that happened on the set of the YouTube show Amazing How, attributing the expense to a scheduling hiccup involving his fellow performer Garik Kharlamov.
Sobolev explained that Kharlamov was invited to appear on the program We Love You, which was filmed in Moscow. The production setup included a rented studio, professional lighting, camera crews, and operators, all ready for a timely shoot. Yet when the moment arrived, the guest was delayed. Sobolev reached out to his colleague to understand the delay and learned that Kharlamov was still tied up with other commitments but would arrive shortly.
According to Sobolev, Kharlamov had repeatedly assured him he would join the shoot, only to later decline participation. Sobolev called the situation the dumbest coin ever tossed into the wind, expressing frustration over the rigmarole and the lost time. Kharlamov later admitted that he did not recall the particular incident, leaving a gap in the memory of those involved.
In related remarks, Sobolev has signaled a broader push to expand his acting career. He indicated that a project in which he portrays a key character is slated for release in the near future. Acting opportunities are currently under active consideration as he auditions for roles that align with his artistic goals. He also shared an ambition to develop scripts for children. Projects with child audiences, including animated formats, are on his radar as he looks to diversify his portfolio.
As Sobolev continues to navigate the entertainment landscape, the episode underscores the unpredictable nature of production schedules and the toll such delays can take on teams waiting to hit a tight shoot window. The incident also highlights the importance of clear communication and contingency planning on collaborative projects. Observers note that even seasoned performers can encounter stubborn delays, and the way such situations are managed often shapes the overall momentum of a show. In Moscow and beyond, producers increasingly strive to map alternative timelines and backup plans so that a single hold-up does not cascade into significant cost overruns or lost opportunities. [Cited from entertainment industry reports].”