Masha Rasputina was removed from the jury of the new season of Superstar amid a string of frequent scandals, a move reported by the Telegram channel Neopra, damn it! The channel notes that Rasputina will be replaced by Natasha Koroleva, citing repeated controversial remarks after participants’ performances that sparked heated reactions during last season. One example given is Rasputina describing Anna Asti’s audience as a humiliated public, a remark that drew strong backlash and attention.
In a recent blast of energy, Rasputina said on her show, You won’t believe it, that she would never enlarge her breasts. She claimed that during such operations her mammary gland had previously sustained injury because implants were sewn into it, calling the whole interference terrible. The singer explained that she had undergone plastic surgery once after giving birth to her daughter, noting that it helped her address a double chin that appeared after hormonal changes.
In another note, it is mentioned that Sami Naceri, formerly a star of the film Taxi, appeared in an Uzbek advertisement for a Chinese car, illustrating how Rasputina and her circle continue to be linked with varied media appearances and promotional ventures. It is clear that the public figure has a presence that spans multiple facets of entertainment, from television to advertising, often drawing attention for her outspoken style and personal choices.
Overall, the discourse around Rasputina during this season underscores the delicate balance public figures strike between authenticity, audience perceptions, and professional opportunities. The move to replace a panelist with a newly mentioned artist signals producers’ sensitivity to public sentiment and the ongoing demand for personalities who can navigate the evolving dynamics of reality competition programs. Within this landscape, Rasputina’s past statements and her openness about cosmetic choices remain central to ongoing conversations about celebrity image, accountability, and the evolving criteria for judging in televised talent formats. The episode-level reactions and the strategic casting decision together highlight how contemporary entertainment ecosystems respond to criticism while continuing to shape narratives around fame, controversy, and personal narrative in the digital age. Informed observers may look for how Koroleva’s approach to judging will differ and how Rasputina’s enduring public persona will influence future appearances and potential collaborations, both on and off the screen.