Singer Lana Del Rey revealed she wrote a song intended for the end credits of the James Bond film Spectre, only for the track to be declined by the movie’s writing team. The exchange drew attention to the wider world of Bond music and how songs become part of a franchise’s legacy.
Questions arose about why the artist did not perform in the Bond films herself. In a candid moment, she explained that she had crafted a piece titled 24 for the project, but the makers chose not to use it on the Spectre soundtrack.
The song that ultimately crowned the Spectre credits was Writing’s On The Wall, a title performed by Sam Smith. Del Rey noted the ensemble around Bond music and congratulated Smith on the strong performance, joking that she sometimes imagines a scenario where her own work could surface in the credits in the future.
That sense of connection echoes Nancy Sinatra, who famously recorded You Only Live Twice for the 1967 Bond film of the same name. The history of Bond themes often blends bold choices with the traditions of the series, weaving together various artists who left a mark on the franchise.
In related entertainment news, a separate public discussion touched on how actors and filmmakers navigate decisions about future appearances in the series. The Bond legacy continues to be shaped by conversations about storytelling, music, and the evolving tastes of audiences around the world.
Additionally, a separate pop culture headline referenced remarks about personal responsibilities and guardianship in another high profile celebrity context, highlighting how public commentary intersects with personal matters in the spotlight.