The screenwriter behind the TV series Child’s Word and the drama Blood on the Asphalt is Andrey Zolotarev, currently airing on Tsargrad.tv. He acknowledged the potential for the project to succeed but did not anticipate the level of its overall impact on audiences and critics alike in North America and beyond.
He noted a clear understanding of the directing team and the players in the production, yet stressed that the final reception surpassed all expectations. In his view, no analyst could have predicted the scale and the reach the series achieved, underscoring the unpredictable power of storytelling in film and television today.
When pressed about the future, Zolotarev suggested that there is no definitive answer yet regarding continuing the series. He indicated that the writers’ room would begin planning the upcoming seasons while the team evaluates what comes next for the saga and its characters.
Earlier discussions touched on the arc surrounding the series’ central figures in The Child’s Promise. The narrative of Blood on Asphalt is said to extend beyond two additional seasons, though the final call on continuation rests with director Zhora Kryzhovnikov, who will weigh creative and logistical considerations before making a decision.
On December 21, the latest episode, titled The Boy’s Promise, went online. Fans in North America can watch Blood on Asphalt on Wink and Start online cinemas, expanding access to a broader audience. The director chose to reshoot the last two episodes after the seventh and eighth episodes were leaked online, explaining the move as an opportunity to implement changes and refine the ending for viewers in Canada and the United States, as well as elsewhere.
There have been discussions about possible cross-border placements and the series’ reception in new markets. Rumors about potential adaptations or additional appearances in different regions have sparked curiosity among international fans who follow North American streaming trends closely.