A well-known singer, Bianca “Channel Fifth,” has spoken out about facing significant financial losses tied to supposed contracting work over the past several months. In a frank discussion, she revealed that a number of contractors allegedly cheated her out of about 4 million rubles, a claim she says she only recently began to pursue through formal channels.
Bianca stated that she was left with damaged expectations and unpaid services after several contractors failed to deliver on their commitments. She described how she had to escalate the issue to court to recover the funds, noting that the total losses in the last two months alone amounted to roughly 4 million rubles. The singer stressed that this was not a single incident, but a chain of unmet obligations across different projects she funded for her operations and properties.
The artist emphasized a particular priority: bringing reliable water supply to a rural region and drilling a personal well. She explained that, despite the setback with contractors, she has already secured a court-awarded payment of 375 thousand rubles. Bianca pointed to one of the services that remained unfinished, using it to illustrate the broader pattern of non-performance. She also hinted at unresolved concerns with Mosoblgaz, though she did not provide specifics.
According to Bianca, construction for a cottage began in 2019. Complications with the water system prompted her to seek help from the city’s Shareholders’ Assistance service, a step she viewed as a potential lifeline for residents of the area. Unfortunately, after the job appeared complete, the lawyers representing the service stopped communicating once their fees had been settled, leaving her with lingering questions and unresolved issues. This experience, she noted, underscores the vulnerabilities that public projects and private deals can pose for property owners in similar communities.
Earlier this year, another public figure, singer Vanya Dmitrienko, also raised concerns about financial improprieties, recounting that scammers had taken a significant amount from her as well. The parallel stories highlight a recurring challenge faced by artists and public figures who juggle multiple projects and investments, often in regions where oversight can be inconsistent and disputes slow to resolve. (Attribution: local media coverage and interviews.)
Bianca remains committed to pursuing the remaining sums owed and to ensuring connected infrastructure projects are completed with proper oversight. Her experience speaks to a broader need for transparent contracting practices and reliable service delivery in both rural development and entertainment industry ventures. Observers say that while legal actions are proving necessary to reclaim funds, systematic protections for homeowners and private investors would help prevent similar losses in the future. Bianca’s case continues to attract attention as a real-world example of how contractual disputes can affect artists who diversify their investments beyond their primary careers.
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