Bezrukov on Nuremberg: Extras, Casting Realism, and Sound

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Bezrukov Reflects on the Nuremberg Movie’s Cast and Sound Design

In a candid conversation with kp.ru, Sergei Bezrukov shared reflections on the film Nuremberg, emphasizing the remarkable efforts of the movie’s extras. He noted that the ensemble cast delivered performances that convincingly transformed ordinary people into strangers whose presence felt historically authentic. Bezrukov specifically highlighted the scene where an American police officer approaches a person speaking Russian, asking for a photo, and he recalled the surprising ease with which such a moment became believable on screen.

Bezrukov spoke about the broader casting choices, explaining that many guests in the crowd scenes were familiar faces, yet their performances captured a fresh, unfamiliar energy. The actors portraying bystanders and witnesses carried a texture that allowed the viewer to suspend disbelief and focus on the gravity of the moment. He recalled the realism of those exchanges, where language and body language aligned to convey a sense of international tension during a pivotal historical event.

The actor also commented on how the characters within the film were designed to align with the historical context of the Nuremberg trials. Bezrukov portrayed Roman Rudenko, a real-life member of the Soviet delegation who played a role in the proceedings that held Nazis accountable for war crimes. According to his description, the portrayal aimed to reflect the weight of the legal process and the urgency felt by the participants as they navigated the aftermath of a devastating global conflict.

In discussing the film’s sound design, Bezrukov explained an intentional direction toward a cold, metallic energy. He argued that the accuser in the courtroom needed to project authority without letting anger crack the voice or reveal vulnerability. The goal was a controlled, precise tone that carried serious intent while underscoring the severity of the charges faced by the defendants. This approach, he noted, was part of the film’s broader effort to convey the solemn nature of the historical moment while maintaining narrative clarity for audiences across borders.

When speaking about the premiere, Bezrukov recalled the film’s first public unveiling in Moscow. The event marked a significant moment for the production, signaling the film’s readiness for wider audiences and affirming its commitment to presenting a historically grounded portrayal of a complex chapter in recent history. The premiere served as a milestone, inviting viewers to engage with the film’s themes and the questions they raise about memory, justice, and accountability in the aftermath of war.

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