Inside a day of triumph, the Nebulossa duo, María Bas and Mark Dasousa, faced the media with a mix of reserve and pride. Spain’s next step on the international stage drew every eye, yet RTVE outlined two clear boundaries: there would be no discussion about staging changes or lyric revisions tied to Eurovision considerations.
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Beyond the castle views of the town, the Ondarans admitted they were absorbing the final’s whirlwind. “We are happy with what happened, but it takes time to process it all,” María shared. She acknowledged the challenge of managing a viral moment like Bitch, noting how overnight interviews surged as the song gained traction with audiences while their daily routines shifted dramatically.
They are now immersed in the Eurovision bubble, yet there is a lighthearted tone about celebration. The team plans to continue a busy schedule of media appearances and audience engagement as the journey leads to Malmö, Sweden, on May 11 for Spain’s Eurovision finale. María Eizaguirre, RTVE’s Director of Communications and Engagement and head of the Spanish delegation, believes the song has European potential: “If we can make it an anthem in Spain, there is a path to Europe as well.” She adds a bold note about the moment: European audiences deserve to understand the message in full.
Looking ahead, the team recognizes the risks of presenting a contest-ready piece in Sweden while ensuring the message resonates with viewers who may first encounter the song through a stage performance. The artists remain confident that the style appeals broadly, noting that the 80s aesthetic is currently popular and that the message has already found echoes across Europe. Music, in their view, speaks a universal language that leaves little room for doubt.
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Asked about the international press, the team reported that the song had already been translated and they planned a European tour ahead of Eurovision. A new version aligned with these goals was discussed, including a Valencian remix of Bitch. The discussion touched on the delicate balance between artistic expression and public reception, especially as debates online reflect strong ideological positions. The duo acknowledged the online chatter but remained steady: they are not teenagers any more, and they intend to stand by their message.
Mark reflected on handling criticism with a nod to local culture, while María echoed a resolve to keep focus on the music and its reception, rather than letting hostile commentary steer the narrative.
Red line
During the media spotlight, RTVE stressed the importance of steering clear of speculative theories. María Eizaguirre avoided debates about whether Eurovision might reject the entry. The rules require non-political content and language that is not insulting. The European Broadcasting Union’s stance on certain terms is understood, and the team is aware of dictionary meanings while presenting the song’s intended persona. The artists see themselves as representing a persona that transcends a single interpretation.
Their approach reflects a careful balance between artistry and compliance with contest guidelines, ensuring the message remains clear without inviting controversy. The team aims to keep the focus on the music while navigating the broader conversation around identity and performance.
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In interviews conducted before the final, the artists asserted that a confirming moment would arise if Europe could hear the full lyrics. If participation faced obstacles due to content, they anticipated it would sharpen their resolve. The conversation also touched on staging possibilities, with RTVE staff indicating that any changes would be coordinated as needed. The Ondara duo did not publicly press for specific alterations, signaling a shared understanding of the contest’s structure and the preparation needed for a European audience.
This period may reflect Eurovision training as the Spanish delegation aligns with Nebulossa on what to emphasize publicly and what to withhold, ensuring a cohesive stage presentation that aligns with the song’s identity.