A participant from the show Mask shared in an interview with IVAN of the Fifth Channel that at first the idea of portraying the Caterpillar character did not appeal to her. She explained that the costume itself induced laughter, which pushed her to explore other options that might better fit her performance and comfort on screen.
According to her, the production team, led by managing director Sergey Savin, initially paused the Caterpillar concept. She recalled the moment with a touch of humor: what she said to herself at the time was, “Really, a caterpillar? Is that even a viable character?” Yet, after further discussion and evaluation, the team decided to revisit the Caterpillar idea and ultimately commit to it. This decision set a new direction for her approach and the overall show narrative.
IVAN added that the Caterpillar costume turned out to be quite large and heavy, presenting real onstage challenges. He described dancing in the outfit as if it might be his last performance, while the Caterpillar moved with a measured, almost glacial tempo. The creature’s foot tapped the stage a few times, marking a moment of quiet drama before the routine concluded. The artist openly shared the physical strain involved and how the costume influenced his movement choices on stage.
From a broader perspective, the performer noted that the ensemble helped him manage his tall stature. Standing at 195 centimeters, he found that the outfit obscured much of his frame, making it difficult for viewers to gauge height or body language clearly. He observed that the costume’s bulk created a visual ambiguity that could be interpreted in several ways, whether focusing on the eyes, the mouth, or other hidden features of the design. This ambiguity, he suggested, contributed to the character’s mystique on screen.
The artist behind the stage name IVAN, whose birth name is Alexander Ivanov, represented Belarus at Eurovision in 2016. His career later included appearances on programs such as Battle of the Choirs, Main Stage, and Mask. Through these experiences, he explored a range of performance styles, from televised singing competitions to character-driven reality formats, each demanding a distinct approach to audience engagement and stage presence.
Looking back at these moments, the narrative reveals how costume design, directorial decisions, and performer adaptability come together to shape a memorable television moment. The Caterpillar’s on-screen presence, shaped by both its heavy silhouette and the performer’s expressive movement, illustrates how wardrobe can influence storytelling, pacing, and emotional resonance in a multifaceted entertainment landscape.
In cultural memory, such productions highlight the evolving relationship between costuming, performance, and audience perception. The Caterpillar episode stands as a case study in balancing visual impact with performer safety and comfort, a balance that often defines the success and authenticity of a reality-based performance. The story concludes with a reflection on how stagecraft and character design contribute to the lasting impression of a show that thrives on creativity, risk, and bold choices.