Vasily Vakulenko, better known by his stage name Basta, spoke openly on the YouTube program Viska about purchasing a luxury apartment for a sum estimated between 40 and 50 million rubles. The revelation sheds light on the artist’s personal journey from a rising musician to a property owner of notable taste and scale.
According to Basta, the acquisition happened roughly eight years ago through a deal with builders. The residence spans about 200 square meters and features five rooms, forming a generous living space that has become a symbol of his success in the years since. Elena Vakulenko-Pinskaya, the singer’s wife, played a hands-on role in coordinating the home’s renovation, bringing together design choices and practical details that reflect their shared vision. Notably, the parquet chosen for the floors was imported from Italy, underscoring a preference for quality materials and a sense of refined craftsmanship that defines the apartment.
Discussing the purchase, the artist described the moment as a major milestone. The path to securing the home involved careful planning and a degree of apprehension, revealing how ambitious projects unfold in real life. The sense of accomplishment is paired with a practical acknowledgement of the risks and responsibilities that come with big investments, especially in a city where real estate values can change rapidly.
Beyond his work in music, Basta has established a significant footprint in the industry through his production endeavors. In August, it was reported that he earned approximately 1.6 million rubles within the Gazgolder production center. This figure appears in the company’s financial statements for 2022 and aligns with Basta’s ongoing role as founder of Gazgolder-record, highlighting his diversified involvement in the music business beyond performance alone.
Basta’s artistic path began in 1997 when he joined the group Psycholyric. Two years later, the ensemble evolved into Kastu, a transition that helped shape his early career. He rose to wider prominence with the release of the track My Game, a milestone that helped propel him into the mainstream. The debut album Basta 1 followed in 2006, marking his formal ascent as a solo artist and setting the stage for subsequent projects that would solidify his status in the scene.
In related industry chatter, it has been noted that Timati has contemplated a high-profile final show, potentially taking place at Luzhniki. The remark adds another layer to the ongoing dialogue about major performances and the cultural moments shaping the contemporary music landscape in the region.