Reports from IA Regnum describe a remarkable and controversial incident involving singer Arina Ryzhenkova in Moscow. The account claims she gave birth inside a cafe restroom in the Russian capital, a detail that immediately drew attention to the unusual sequence of events and the surrounding circumstances. The report notes that the birth occurred on January 3, and that the newborn was subsequently seen being carried away wrapped in the singer’s clothing as she exited the facility.
The events that followed involved staff from the cafe who contacted emergency services after witnessing the scene. Medical responders attempted to assist with the newborn, but the artist appeared reluctant to let them proceed. The situation required careful handling by the medical team, who eventually succeeded in stabilizing both mother and child for examination after a moment of hesitation.
After these initial steps, Ryzhenkova was transported to the maternity department of a named State Clinical Hospital in Moscow, where she continued to receive professional assessment. Following the maternity care, she was directed to speak with a psychotherapist, suggesting that the medical team and hospital staff recognized the need for further emotional and psychological support in light of the unusual circumstances.
News from about a week and a half later indicated that Arina Ryzhenkova was admitted to a Moscow infectious diseases hospital due to COVID-19. The report states that she had a mild form of the disease, but out of an abundance of caution, doctors chose to hospitalize her for observation and treatment. This update underlines the health considerations that often accompany high-profile cases, particularly when personal events intersect with public attention.
In terms of her public career, Arina Ryzhenkova is recognized for participating in the sixth season of the popular television project Star Factory in 2005. The report notes that she left the program early, being the first contestant to exit that season. Since then, the singer has maintained a relatively private life, with limited public interaction on stage or with colleagues as described in the coverage.
In related entertainment news, there were prior mentions of public figures engaging in defense of colleagues amid controversy, with Prokhor Chaliapin reportedly defending Volochkova in connection with a separate scandalous video. This reference situates the current narrative within a broader landscape of celebrity responses to sensational stories and media scrutiny.