Actress Anna Ardova spoke candidly in a recent interview with Hello!, sharing her evolving stance on acting and the kinds of roles that excite her now. She admitted that after a stint in the project One for All, she is ready to move away from pure comedies and seeks projects that challenge her creatively. Ardova reflected on her experience with the show, noting high viewer ratings but also a demanding shooting rhythm that left a strong impression. The production schedule was intense and compact: she worked fifteen days, followed by an equal period of rest, a rhythm that made her feel like a student being ushered to class day after day, with the weight of expectations looming large over every scene.
Looking back, Ardova described the early period as tremendously hard. The first year was marked by a grueling pace as she demonstrated a surprising facility for memorizing lines, which contrasted with the long hours in makeup. She recalled a moment when her dedication nearly tipped into a breakdown, but the production team offered improvements in conditions that helped stabilize the situation. The transformation included a decrease in daily makeup time from twelve hours to ten, a change that, while small, mattered a great deal in terms of endurance and focus on set.
She also spoke about the toll of makeup on her skin, mentioning how the constant application and removal of cosmetics drew the attention of the on-set dermatologist. The professionals guided her through skincare routines and adjustments to minimize damage, underscoring the physical demands that come with creating a long-running comedic script. Ardova’s acknowledgement of these challenges illustrates a professional who balances artistry with personal care, especially when under bright studio lights and tight production deadlines.
Despite the hardships of the project, Ardova expressed pride in One for All. She described the humor as a form of hard-won craft, where timing, emotion, and subtlety converge to bring a joke to life. She emphasized that genuine comedy requires an understanding of tragedy; without that depth, a character risks feeling flat or one-dimensional. In her view, mastering this balance is essential to delivering performances that resonate with audiences who appreciate both wit and warmth in a story. The success of the show also translated into real-world appreciation: the public’s affection extended beyond the screen, with audiences now visiting her at the Mayakovsky Theater, a testament to the connection she has built with viewers who follow her stage and screen work closely. [Ardova interview, Hello!]
From a broader perspective, Ardova’s remarks offer a window into the journey of a performer navigating the demands of television work while cultivating a distinct artistic voice. For viewers in Canada and the United States, her experiences highlight how performers must often navigate a balance between demanding production schedules and the desire to pursue roles that push creative boundaries. The takeaway is clear: the craft of comedy is inseparable from a deep appreciation of drama, and the most memorable performances tend to arise when artists push beyond comfort zones, embracing both laughter and tension to create something truly lasting. Ardova’s ongoing theater work continues to reflect that philosophy, inviting audiences to see her evolve across different stage and screen formats. [Ardova interview, Hello!]”