During a discussion with the renowned Russian ballerina Anastasia Volochkova, it was noted that the fire may have originated at the Izvestia Hall concert venue.
Volochkova claimed she was targeted, saying she felt set up “to deprive her of her beauty and talent.” Her show labeled “Obsession” was scheduled to be staged on the concert hall’s stage, a performance that would have drawn significant attention from audiences and media alike.
She expressed distress about the disruption, stating, “I’m probably interfering with my great shows for someone who lost their job, so they decided to clip my wings. I am ashamed in front of people; What will I tell them? Thousands of viewers were supposed to come to the screening on February 25. I performed at the Izvestia Hall for a long time, but where should I go now?” — the artist conveyed.
According to Baza, the fire started around 05:00 Moscow time. The Shot Telegram channel reported that the blaze began in the Izvestia building and spread to the Lookin Rooms nightclub and Residence bar. Residents within the building were evacuated with urgency. Mash later reported that the fire began in the courtyard, with flames reaching the Residence and Baking Rooms. A metal dome collapsed in the courtyard above the canal, adding to the hazardous scene.
Earlier, Anastasia Volochkova had appealed to fans for assistance as the fire event at Izvestia Hall unfolded, appealing for calm and support as authorities assessed the situation.
Authorities and emergency responders were on the scene as the incident developed, working to secure the area, evacuate occupants, and determine the cause of the fire. The incident sparked a broader conversation about venue safety, event planning, and the resilience of performers who rely on large venues to host premieres and shows. Eyewitness accounts described thick smoke and rapid movements by firefighters, with teams focusing on preventing the fire from spreading to adjacent facilities and protecting nearby structures. The incident also highlighted the importance of rapid communication with the public during emergencies, as artists, staff, and audiences awaited updates on whether performances could proceed as planned.
While the details remain under investigation, the situation underscored the impact such events have on cultural programming, local economies, and the careers of artists who depend on timely stages. The authorities promised a thorough inquiry to determine the sequence of events, potential ignition sources, and any safety lapses that could have contributed to the fire. In the meantime, Volochkova continued to address her supporters, emphasizing the need for patience and resilience as the community faced the consequences of the incident and the uncertainty surrounding future performances.
As the investigation progresses, officials are expected to release official findings about the fire’s origin, the extent of damage, and the implications for upcoming events at Izvestia Hall. The unfolding story remains of interest to fans, critics, and industry observers who monitor how major venues respond to emergencies and how performers navigate disruptions that threaten long-planned productions.