According to producer Sergei Dvortsov, Alla Pugacheva decided to part with her diamond collection after her family faced financial strain following their departure from Russia. He described the move as a practical measure to secure liquidity in a life abroad, noting that the family needed resources to cover ongoing expenses and unexpected costs that come with exile. The narrative circulated in several outlets, with kp.ru carrying the quotes attributed to Dvortsov. His account frames the jewel sale not as a whim but as a strategic step within a larger transition, showing how a public figure manages wealth during a period of upheaval and relocation. The decision underscores the tension between maintaining personal prestige and ensuring the family’s immediate financial needs are met, especially after a dramatic move that reshaped living arrangements and financial planning. (kp.ru)
“You have to live on something,” Dvortsov explained in a paraphrase of the remarks circulating in the reports. Alla is said to own a substantial collection of sapphires and diamonds, and the producer stressed that there was no fraud involved in the arrangement. The statements present a straightforward view of asset management rather than a crumbling mystery, and they were attributed to Dvortsov in the coverage. The emphasis on transparency stands in contrast to the uncertainty surrounding provenance and market value, a common theme in discussions of private collections held by high-profile figures. (kp.ru)
Dvortsov also noted that Pugacheva had initially promised to give the jewels to her granddaughter Claudia, the youngest daughter of Kristina Orbakaite. Claudia was born in 2012, during the singer’s marriage to businessman Mikhail Zemtsov, and she has been part of the ongoing conversation about the family’s jewelry line. The arrangement signals a consideration of heritage and legacy, with the granddaughter named as potential beneficiary before any broader sales take place. The details reflect how personal fortunes intertwine with family ties in celebrity portfolios. (kp.ru)
On October 10, media coverage focused on Pugacheva’s initiative to subtract antiques from the Gryazi castle. The SHOT Telegram channel reported that the property, valued at about $20 million at the time, was slated for removal from Sheremetyevo Airport, but customs authorities reportedly blocked the shipment. The claim highlights the logistics challenge of moving high-value items across borders, especially when questions about ownership, paperwork, and duties come into play. (SHOT Telegram channel)
Subsequently, lawyer Alexander Dobrovinsky said that many paintings in the mansion turned out to be fake. He explained that copies are kept at Pugacheva’s residence near Moscow, while the originals are stored elsewhere, a detail that raises questions about provenance and verification in private art holdings. The revelation adds a layer of caution to any public discussion of the estate and its assets, illustrating how authenticity concerns can accompany wealth in high-profile collections. (Dobrovinsky)
The star, who had previously left Russia, commented on life in Berlin, describing the experience of adapting to a new city and culture while maintaining a public profile. The remarks capture a broader trend among artists who navigate exile and relocation, balancing career demands with personal life across European cities. (media reports)