The conversation reveals a candid portrait of two prominent figures from classic Soviet cinema, Leonid Kanevsky and Andrei Mironov, framed by a warm appreciation that hints at a long-standing professional camaraderie. Kanevsky speaks of Mironov with admiration, describing him as a striking presence and a man of refined taste and style who carries himself with a natural ease on screen and off. The tone is respectful and affectionate, painting Mironov as not just an exceptionally talented artist but also a person who brings an improvisational spark to every scene he touches. The praise points to something larger than mere appearance; it signals an artist whose instincts and instincts alone could shape performances that linger in the memory of audiences and colleagues alike.
