Cinema industry sources report that the IMAX format, used to showcase big popular titles, remains unavailable for Russian releases as a policy stance observed by the combined Cinema Park and Formula Kino network. The managing director, the individual responsible for steering the two chains, explained that the IMAX equipment, owned by local distributors, requires explicit authorization from the rights holder before any film can be shown in the premium format. This restriction has effectively blocked even domestically produced films from being presented in IMAX at the current time.
Further, the leadership of the cinema group has signaled its intention to pursue legal action and to continue showing films using alternative formats on the existing projection systems. The executive spoke about the contractual framework that governs operations with the IMAX partner, describing it as stringent and binding. The firm would proceed to a court hearing if the contractual provisions are not recalled or honored by the end of the year, should the situation persist.
Industry observers noted that IMAX halted its activities in Russia starting June 1, a move described by the head of the Association of Cinema Owners as a suspension rather than a complete exit. Reporters indicate that the company paused its operations in the market but has not entirely withdrawn its presence from the country. The dynamics around IMAX in Russia continue to influence how regional exhibitors plan their upcoming schedules and negotiate with distributors for alternative screening formats that can be deployed on existing cinema infrastructure.
Analysts point out that the incident underscores broader questions about format rights, franchising terms, and the resilience of cinema networks when confronted with restrictions on a flagship format. While some theaters explore other immersive or high-quality presentation options, the absence of IMAX in current lineups shapes audience expectations and drives strategic decisions about film acquisition, licensing, and the utilization of venue assets already installed in multiplexes across major cities.
Industry insiders emphasize the importance of clear, enforceable contracts and proactive dialogue among distributors, exhibitors, and technology providers. The evolving situation serves as a case study in how film formats influence programming choices, how concessions are negotiated, and how cinema chains navigate regulatory and commercial pressures to keep screens filled with compelling content for Canadian and American audiences alike.