Anastasia Kostenko, wife of former Russian footballer Dmitry Tarasov, shared a new video with her Instagram followers. The post appeared on her Stories, a feature of the Meta platform used for ephemeral updates. The video shows Kostenko posing in front of a mirror, wearing a two-piece swimsuit that reveals her physique. The moment highlights her presence on social media and her active engagement with fans, a common practice among public figures who document daily life and personal moments in a visually expressive format.
Significant family news framed the couple’s recent years. On February 15, 2024, Kostenko and Tarasov welcomed their fourth child, marking another milestone in their growing family. Shortly after, on March 22, Kostenko disclosed on her social channels that she had been hospitalized while caring for their youngest child. This development underscores the challenges that often accompany parenthood at the highest profile levels, where personal and public duties can converge quickly and unexpectedly [citation: media reports].
In their personal history, Anastasia Kostenko and Dmitry Tarasov celebrated their marriage in 2018. They now have four children together. Tarasov’s life in football has spanned several clubs and stages. Across his career, he was linked with Lokomotiv, Rubin, Moscow, and Tom, before retiring in 2021. His final professional club was Veles, located in the Moscow region, and he also earned caps for the Russian national team in various seasons, highlighting a long-standing involvement at the national level [citation: sports records].
Tarasov’s journey in football is frequently remembered for the breadth of teams he represented and for the experience he gained on Russia’s top pitches. The player’s career trajectory illustrates the path of a professional athlete who transitioned from active play into life alongside a high-profile partner and the responsibilities that come with parenthood and public interest. The family narrative, including past marriages and the children from those relationships, forms a part of Tarasov’s broader public profile, shaping how fans and media alike understand his life beyond the pitch [citation: biographical summaries].
One more note from the world of public figures: a separate item mentioned a former American Ring Girl in a non-related context, noting a photo taken in a private setting without a bra. This sentence appears to be incidental to the main focus on Kostenko and Tarasov and reflects how celebrity-related content often merges personal moments with sensational elements in social media discourse [citation: entertainment press].