Boris Matveev, a veteran actor known for his work in cinema and on stage, died at 75. His passing was announced by the Bolshoi Puppet Theater, where he spent the last years of his career performing, mentoring younger generations, and enriching the troupe with his seasoned artistry. The news is confirmed by KP.RU and echoes the sentiments of colleagues who describe him as a steadfast craftsman with a generous spirit and a deep love for the world of puppetry. His colleagues remember a performer who brought dignity, warmth, and a collaborative energy to every rehearsal and every performance, making the puppet stage a place where imagination and discipline met in harmony.
Matveev’s career bridged traditional theater and screen, reflecting a lifelong commitment to the craft. Earlier in his journey, he appeared with several regional and city theatres that helped shape his technique and broaden his repertoire. He contributed to ensembles in Chelyabinsk and Riga, and later appeared with Lenkom, the Yakut Puppet Theatre, and the Astrakhan Puppet Theatre. His versatility also led him to work with the Stray Dog Theatre, a company known for provoking thought and entertaining diverse audiences. Through these stages, he cultivated a profound respect for the art of puppetry while continually seeking new challenges that tested his range as a performer.
Beyond the stage, Matveev built a filmography that spanned multiple decades, totaling more than two dozen credits. He appeared in a selection of feature films such as Streets of Broken Lanterns and Deadly Force, roles that showcased his ability to inhabit a character with quiet authority and a magnetic presence. In addition to feature work, his screen appearances included a number of television projects where his experience and reliability made him a steady presence. Viewers remember his performances as grounded, honest, and often quietly luminous, offering a counterpoint to more flamboyant co-stars and elevating the material with his disciplined approach to acting.
His career did not end with theatrical success and screen roles alone. Matveev also contributed to the broader context of Russian cultural life by supporting puppet theatre as a living, evolving art form. He participated in productions that integrated traditional puppetry with contemporary storytelling, inviting younger audiences to experience the magic of hand-crafted performance. In doing so, he helped sustain a legacy that values craftsmanship, timing, and the artistry of ensemble work. Those who worked with him recall a collaborator who listened with intention, offered guidance with patience, and approached each project with a professional pride that inspired peers and apprentices alike.
In a separate note, a performer named Yangolenko, who once appeared on the seventh season of a show called Boys, has been reported dead. The circumstances around the death were attributed to a combination of alcohol consumption and hallucinogenic mushrooms, according to authorities familiar with the case. The loss adds to a broader conversation about the pressures of public life and the challenges faced by performers in the industry. The report underscores the importance of community support and responsible choices for individuals navigating the spotlight, reminding readers that entertainers are people who deserve care and dignity in difficult times.
Meanwhile, an ongoing criminal matter was opened in January regarding the theft of guitars and phones tied to a young girl. The case highlights how courtroom investigations intersect with the lives of those in the public eye, often drawing attention from fans and the media. These developments illustrate the complex web of personal and public interests that characterizes modern entertainment culture, where personal missteps and professional achievements can become part of a larger narrative that fans watch unfold with curiosity and empathy.
Finally, it is worth noting that one in five Russians reportedly watched the television series The Boy’s Word. The program has resonated with a broad audience across the country, reflecting how serialized storytelling can capture everyday life, values, and shared experiences in a way that binds viewers to the characters and their journeys. The popularity of the show demonstrates the enduring appeal of thoughtful storytelling and memorable performances, a reminder of the powerful role that television can play in shaping cultural conversations and collective memory.