Many people wonder what a program like Enred@d@s draws on a channel like La 1. Me too. It’s been a long time since public television lost its newspapers, allowing bad programs to sneak up on their grids, while also bad ones are out of place.
This applies to the recently completed La noche D, presented in its final phase by Eva Soriano. One of its weirdest features was the invitation to nostalgia, which at one point attracted guests presenting television shows from other decades.
Attention, presenters and presenters who went through La 1 and only suffered destruction in their interference with the program had to remember their work on private channels. The cases were numerous and could always be attributed to screenwriters whose goals, ages and television connections we can perfectly imagine.
Let’s take as an example the night that Javier Sardá passed by the set. If it was just to make a few jokes with him, it would have been enough for him to pull the archive and take some footage of the first Child’s Play (released on Sunday afternoons when the authors weren’t even born). others from the second Child’s Play (last seen after Weekly Report).
Well, even though it’s in La 1, the documentarians got the Mars Chronicles file from Telecinco, a complete inconsistency no matter where you look at it. And so every night.
The same can be said for Enred@d@s, a farce, placed there to start at a competitive hour for the programs that follow, when El hormiguero and El intermedia end but have neither a beginning nor an end at La 1.