Cedric Kahn He comes on stage with a simple style, The last of Pierre Goldman’s essays, A leftist criminal in 1970 He was accused of numerous robberies, one of which was a blood crime.
The actor who plays one of his lawyers Arthur Hararialso a screenwriter ‘Anatomy of a Murder’ by Justine Triet: procedural cinema returns strongly to France (add) ‘Aziz Omer: Those against Laurence Coly’), but it’s different from his influence in Hollywood.
trials now showing away from all the grandeur or tensionwas subjected to an almost surgical examination by the filmmakers involved.
Goldman He defends himself better than his lawyers. He is combative and hurtful at the hearing, and the prosecution speaks and behaves in a way that he would not do today. Everything is very epidermalHowever Kahn It reduces tension through neutral realization.
Goldman He always said he didn’t kill two women in a pharmacy robbery. The manipulations of the prosecution and the police were in vain at the hearingBut the movie is not satisfied with this: portrait of a society in crisisfrom his mistakes and apologies deceptive justice and freedom. Not like that Goldman not the court on tape, but the society in which he lives.