I just visited David Bisbal Apart from ‘El hormiguero’ (A-3 TV) and the promotion and advertising support of the new album – which is the subject of this program – it tells something worth analyzing.
Pablo Motos He asked if it was true that while he was the vocalist of a modest village orchestra and performing at local festivals, he had a very bad time and even vomited before going to a concert. bisbal He didn’t stray from the topic. He recalled the years when he worked in a nursery in Almería with the idea of becoming a forest ranger, when music was a weekend activity with the Orquesta Expresiones, a traveling band. “I was very embarrassed –sincerely warned–. I had to do some choreography…! What if it’s ‘Mambo number 8’, what if it’s ‘Chocolate Paquito’? And my bastard friends followed me around to laugh at me and laugh at me.”
During bisbal The comedian recalled all this in the ironic ‘Ilustres Ignorantes’ program on Movistar Plus+ Ricardo Castella He also talked about humble musical combinations. He made the following warning: “They used to be very good. But a good moment is before October 22, 2001, when Bisbal made his television debut in ‘OT’. From that moment on, a radical change occurred in all these urban orchestras.”. Ah! theory castella Modest combinations have led to the conclusion that the gigs, where the audience is full of scouts sent by TV producers, are actually a casting call, and all they have to do to make them like it is capers and jumps. “They began to believe that they would move on from performances in Villanueva de La Serena to spectacular tours in Latin America.”
Man, this portrait is brutally sarcastic. Even unfair. this is not the case Bisbal. However, it contains a meditative reflection. When a fledgling, barely established singer, who doesn’t even know if she wants to be a singer, immerses herself in television to become a star, the television machine shapes her according to two parameters: the audiovisual ‘show’ and the commercial. flow. Miami is inhabited by several producers who manage and influence numerous stages, sets and record labels, creating ‘stars’ according to predetermined schemes. The enthusiastic, uncritical, global infantilization of customer staff helps a lot.