Monegal’s criticism | Pedroche and Rahola, two fronts for 2023

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Auguste Renoir exclaimed, “I would never have been an artist without women’s breasts.” making ‘The Bathers’, the last female nude painting (“Les baigneuses”, 1919, Musée d’Orsay, Paris). They say she died in front of that painting, brushes still in hand, putting the finishing touches on the voluptuous weightlessness of her breasts.

Ah! If he died this way, glorious death, although some do not agree that he died in bed by drawing a ‘bouquet’ of flowers in a vase in a notebook, i.e. still life. This is an ordinary ending. I’ll stick with the other version. It is more glorious to draw the last breath by drawing the nipples of some ‘baigneuses’. Not the managers of Atresmedia renoir, It’s far away, but every year they try to imitate it. Cristina Pedroche thus gives the bell based on nudity. A white dove and sheer tulle skirt worn on the breasts for this occasion. First, it is true that he appears shrouded in a cloak made from a tent of the most forgotten on the planet: poor immigrants living together in notorious camps.

I don’t doubt the goodwill of this gesture, but the bell that runs the A-3 and looks for spectators is not the tent of an NGO, it’s what it’s hiding, Pedroche slowly coming out from under a torn pigeon. This pigeon wasn’t wrong, it wasn’t wrong as he said Albert This pigeon knew very well how to seek an audience. And it took almost all of them: more than six million people. No one remembered the cloak that was made with that migrant calamity tent all night.

In this ‘frontis’ game where 2023 also started Pilar Rahola He wanted to give the box. More modest, 6,000 viewers on 8TV and a 0.3% share of the screen. That’s what the regional league has. But two breasts are two breasts. Grasping them with their hands, without showing them, even emphasizing them violently, relax he said the verse Rigoberta: “I don’t know why my boobs are so scary!”‘. Ah! It’s not fear column, this is not fear. the difference renoir Y delacroix. This is the difference between ‘Marianne leading the people’, the wild breasts in the sound of battle, the rifle in hand and the waving flag, and the delicate, thought-provoking, inviting and sensitive breasts of ‘Les baigneuses’.

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