Although he will probably never perform an aria at La Scala, and there is nothing to suggest that a tragic end awaits him in the near future due to his excessive consumption of tranquillisers – fortunately, especially for him – Angelina Jolie He is undoubtedly an ideal interpreter to be embodied Maria Callas. After all, few actresses are as familiar as she is overscrutiny We know that the Greek soprano suffered and that few people know as well as she did the kind of superlative fame with which the term diva, always used to describe Callas, is associated.
And of course, these connections help explain the intense situation that is taking place. dazzling power It turns out that Jolie squandered her time at the center of the biopic “Maria,” which turned out to be not only her first notable acting job in years but also one of her most important. undisputed your career. “I needed to spend time with my family”“And because of that time, I feel even more grateful that I now have the opportunity to be an artist and to be part of this creative world,” the actor said today at the Venice Film Festival, where the film is competing for a place on the winners’ list.
Let’s remember that ‘Maria’ is the last film in Pablo Larraín’s trilogy of biopics dedicated to famous women of the 20th century. excessive pressure for public role that they had to perform; in ‘Jackie’ (2016) he transformed Natalie Portman into Jacqueline Kennedy, in ‘Spencer’ (2021) Kristen Stewart into Diana of Wales, and here he recreates the days the soprano spent in Paris just before her death in September 1977, locked in her house most of the time, harassed by her celebrity, but also trapped by drug addiction, because of her pathological need for admiration. barbituratesHe is haunted by memories of a mother who tried to prostitute herself to appease Nazi soldiers and her destructive relationship with a businessman. Aristotle Onassis — who would eventually leave him for Kennedy — and the despair of losing his most precious treasure, his own voice, beyond repair.
And always has an attitude extremely respectful both for its main character and for the actress who plays her. The Chilean camera radiates love and devotion in all the close-ups it dedicates to Callas/Jolie’s performance and in all the scenes where it follows her performance. ‘Tosca’ and ‘La Traviata’ in front of a surrendered audience, betrayed by the vocal cords When the instrument no longer gives more of itself and displays grace even while swallowing pills four at a time.
It might seem obvious that a film about María Callas would be structured in operatic style, but it is also understandable that Larraín felt it was inevitable that he would be tempted to do so. ‘Maria’ is divided into three acts and an epilogue; it links together musical moments that convey the portrait of the protagonist, aiming to gradually transform her into a transcription of one of these moments. tragic heroes performed on the most prestigious stages.
So why doesn’t the film show even a glimmer of this talent? to move and the heightened emotionality inherent in any opera worth its salt? Perhaps it’s also the perception of the mixture of ‘flashbacks’, dreamlike scenes and vocal interludes. calculated and because it is repetitive, or because Larraín does not allow the protagonist to follow a consistent line, or on a conceptual and structural level primarily intellectual exercise.
The only glimpse of the dramatic impact that ‘Maria’ managed to achieve, Jolie’s acting activity This shouldn’t be surprising, considering that the lead actors in “Jackie” and “Spencer” are also the best in those movies. Both Portman and Stewart received Oscar nominations for them. There’s little doubt that Jolie will do the same.
Source: Informacion
Barbara Dickson is a seasoned writer for “Social Bites”. She keeps readers informed on the latest news and trends, providing in-depth coverage and analysis on a variety of topics.