The new movie divas are the daughters of terror and fantasy.

Trendy actresses love terror. Or terror loves fashionable actresses. Both options are correct and valid. A very interesting and unprecedented phenomenon has been happening in recent years: Actors of the period have a very close relationship with horror and fantasy cinema. It has to do with the plethora of offerings from these genres, and their overwhelming inroads into both the mainstream and a festive cycle. Also with the emergence of new writers predisposed to these genres, the blessing of others (they have well-known actresses in more expensive movies), and the rise of the fantastic and terrifying tendencies of writers who moved to other fields. But above all, it’s about the intuition that drives these actresses to act in those movies.

Mia Goth, Anya Taylor-Joy, Jenna Ortega, Florence Pugh and Kristen Stewart Undoubtedly, it is the young actors who hold the media attention hostage as well as share the strongest projects. They’re either discovered in horror (and fantasy) movies, or they’re regulars, or some of the key characters (and most emblematic scenes) in their filmography are featured in such movies. They became scream queens and ‘last girls’ (she is the last girl to die in a horror movie) and there are witches, psychos, ghosts, vampires, crazy doctors, and girls with powers among them all.

Anya Taylor-Joy in Robert Eggers’ ‘The Witch’.


widespread popularity

What is unheard of is that the popularity of these actresses is not niche, not only that they are famous among fans of horror and fantasy (for example, something that also happened to the gorgeous Maika Monroe or Riley Keough). Their reach is much broader: they appear in fashion editorials, are the center of attention at film festivals, dazzle at red carpets and premieres, are of interest to both the film and gossip press, and their appearance (both in and out of the screen) they go viral. An example of the latter An infinity of memes with footage of Florence Pugh in Ari Aster’s horror movie ‘Midsommar’ (2019)screaming inconsolably or locked in a mountain of flowers. But the viral example of the actress walking with an Aperol Spritz at the Venice festival is also an example, at the height of the media debate over her relationship with Olivia Wilde during the filming of ‘Don’t worry honey’ (2022). . , another fantasy genre movie.

Jenna Ortega’s case also exemplifies the media and online attention of these actresses. translator, a The new icon of horror cinema among fans of the genre with his interventions in “Scream” (2022) and ‘X’ (2022) overwhelmingly leaps into the mainstream. Wednesday Addams in the Netflix series. The dance that Ortega pointed to in the fourth episode, to which ‘The New York Times’ dance critic Gia Kourlas dedicates an excellent article, went viral as well as trending. A sensation on TikTokwhere hundreds of children recreate their movements.

Florence Pugh still from Ari Aster’s movie ‘Midsommar’.


comprehensive and iconic

They are actresses with diverse professional and personal backgrounds. Although they have made films in other genres, they have even exploited the general public with offers of a different nature. Ortega, Mia Goth, and Anya Taylor-Joy are names that seem to have a more natural inclination towards terrorism. Maybe it was his character in the show’Queen’s Gambit (2020) the person who discovered it to the general public, but Anya Taylor-Joy has appeared in “The Witch” (2015), M. Night Shyamalan films “Multiple” (2016) and “Glass” (2019), among others.George Miller was commissioned to play the protagonist of ‘The Man from the North’ (2022) or the recently released ‘The Menu’ (2022) and Furiosa. The long-awaited prequel to Mad Max: Fury Road (2015).

mia gothicFor her part, she’s already confirmed she’s the grand lady of horror with her outfits in the movie trailer for “Pearl” (2022): At the Toronto festival, she appeared on the carpet in lace and with a black veil covering her face. The actor has appeared in ‘The Wellness Cure’ (2016), ‘The Secret of Marrowbone’ (2017), ‘Suspiria’ (2018), ‘High life’ (2018), ‘X’ (2022) and ‘Pearl’. (2022). His new works include ‘MaXXXine’ from the same universe as the last two, and the new ‘Infinity pool’ from Brandon Cronenberg.

Mia Goth in Ti West’s ‘X’ teaser image.


But the connection with the genre of these actresses is not just a matter of quantity, it is also a matter of delivery. The actresses mentioned in this article have formed the main characters of 21st century horror films, often supplemented by scenes that will go down in the history of the genre. Goth’s monologue in Pearl can only derive from his understanding of the genre and his absolute devotion to the genre. The same thing happens with Thomasin’s (Anya Taylor-Joy) rise in ‘The Witch’ (2015) or Dani’s (Florence Pugh) crying scene in ‘Midsommar’. Kristen Stewart’s case is more special. Over the years she’s become the muse of auteur cinema, working with filmmakers like Olivier Assayas, Kelly Reichardt, and Pablo Larrain, but you don’t have to look back too long to remember the origins of her fame.twilight’ (2008), one of the most popular fantasy epics of the last decades, making every leap into the fantastic (from Doug Liman’s “Jumper” to Assayas’ ghost film “Personal shopper”) and so on. The pure 21st century female version of Igor (the villain’s assistant in a horror movie) in David Cronenberg’s new movie “Crimes of the future” (2022).

Kristen Stewart in Olivier Assayas’ ‘Personal client’.


It’s too early to tell but The rendition of Ester Expósito in Jaume Balagueró’s new movie ‘Venus’ (2022) also seems to hint at the actress’ natural attraction to horror movies.. These women (and not all) are the heirs of Mia Farrow, Jamie Lee Curtis, Ellen Burstyn or Shelley Duvall, and they all shine at the same time.

Source: Informacion

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