‘Welcome to Eden’ returns to Netflix, and the second part is arriving to continue the mystery and raise new questions. The series that left fans with questions at the end of the first season now opens up fresh plotlines, introduces new characters, and dives deeper into the island’s secrets.
In interviews with YOTELE, Amaia Salamanca, Amaia Aberasturi, Berta Castañé, and Carlos Torres discussed what viewers can expect from the new episodes as the story expands beyond its initial premise.
What can viewers expect in the second season of ‘Welcome to Eden’?
Amaia Aberasturi: The narrative will lean more into relationships and schemes. Some threads from season one required clarification, and those gaps will be filled. The tone grows darker and more adult, with heightened action as the rebellion gains momentum.
Now that Gaby has arrived on the island, there should be more interaction between the sisters, right?
A. Aberasturi: They broke up in season one and are probably together again now, perhaps with some tension beneath the surface. —laughs—
Berta Castañé: Amaia and I share a natural sisterly bond that came through early on; we didn’t need to force it to feel real.
We saw Astrid as a character with clear aims. How does she evolve in the new installment? Will there be surprises?
Amaia will stay focused on the Salamanca: Nuevo Eden project, but her bond with Eric is likely to fray gradually. Astrid appears sadder, lonelier, and more resolute as the island gains followers. A new rebellion forms, and Joel’s arrival signals a push for security. The origin of the project will be explored to understand its roots.
Was it possible to connect with this character? Will the audience connect as well?
A. Salamanca: I have always felt empathy for him because a character’s motivations come from their life circumstances. Actors build those layers, and people should be able to relate to Astrid a bit more this season.
Carlos, you join the cast in this second season. How will your character improve the story?
Carlos Torres: Joel strengthens the island’s security and injects more action into the series. The teenagers no longer buy into the fairy tale, so his goal is to help Astrid keep things from spiraling. A clash between worlds erupts, and the outcome remains to be seen. I’m glad to contribute to the second season and enjoyed watching the first as a viewer before joining the project.
You have previously appeared in a different Netflix hit and now you’re back with this production. How does it feel to stay in demand on Netflix?
Carlos Torres: The love from audiences in Spain has been overwhelming. They’ve greeted me on the street since the project began, which makes me feel at home. It’s a joy to see Colombian fiction resonate here, and to be part of a Spanish production with such talent and reach is a professional milestone and a chance to learn more.
One of the most striking aspects of the show is its locations. Do you notice them during filming?
A. Aberasturi: The cinematography takes us to places we might not visit otherwise. Location scouting is challenging because it requires finding spots that can support future scenes. It feels meaningful when viewers return and recognize a site years later.
B. Castañé: We covered a lot of ground — Lanzarote, Teruel, Barcelona and beyond — which gives the show a varied backdrop.
C. Torres: Filming outdoors has its pros and cons since the weather is unpredictable, but it adds a real sense of scale to the story.
A. Aberasturi: The outdoor shoots can be tough, especially when rest is scarce for some cast members. Still, the experience adds texture to the series.
Was outdoor filming harder than studio work for the cast, and did it demand extra effort?
A. Salamanca: It does require resilience, yet the venues feel essential to the show. I previously shot mostly on sets in Madrid, and now working outdoors brings a sense of immediacy. Weather challenges, like rain in Teruel, were part of the process, but the broader atmosphere is worth it. It keeps life outside the everyday routine and adds authenticity.
B. Castañé: The wind in Lanzarote forced us to record several lines later in ADR, which was another challenge for the performers.
Did you expect the series to become so popular?
Amaia Salamanca: I hope season two attracts as much attention as the first because it feels more polished and expansive in scope. If interest continues, a new season could be on the horizon.
Amaia Aberasturi: Welcome!
At the beginning, the first season drew comparisons with a different teen Netflix entry. Do you think this season stands out on its own?
A. Aberasturi: There is an adolescence component, but this show has its own identity. I have never seen anything quite like Welcome to Eden.
A. Salamanca: I believe season two will have more personality and maintain its distinct voice.
Amaia, how is it working with a new generation of young actors? Do they seek your guidance?
A. Salamanca: They rarely ask for advice because they have strong instincts. I learn from them too, enjoying both work and life together. We’ve built friendships, shared drinks, and connected on a deeper level, which is a fantastic part of the experience.
To wrap up, could the series travel beyond its current platform in the future?
A. Aberasturi: There are many directions the story could take, with numerous unanswered threads ready to be explored.
A. Salamanca: Personally, I hope so. There are plenty of stories still to tell on the island, and I’d love to see more seasons.