A few hours before its premiere, Ana Rosa Quintana was announced as part of the program lineup. The moment signaled a bold move on Telecinco, as a new series of stories began to circulate about the network and its scheduling strategy. The presenter decided to use social media to send a message to Jorge Javier Vázquez, aiming to set a tone for the upcoming prime-time access show and to give a sense of the dynamic relationship between leading figures in Spanish television.
Her message on Instagram hinted at a wide familiarity with cultural topics and a willingness to engage in a playful, competitive exchange. The post contained a cheerful tease about knowing a lot about Chinese topics, a nod to the program’s branding and perhaps to the thematic experiments that could appear on screen. The communication reflected a broader reality in which top hosts use social platforms to shape conversations and test audience reaction before a new program hits the airwaves.
Quintana’s reply, relayed through a public exchange with Pablo Motos, creator of a popular late-night format, revealed a candid stance about competition and collaboration. The response suggested that the industry’s professionals do not merely vie for attention; they participate in a shared conversation that can elevate the entire craft. The note conveyed warmth, a touch of humor, and a practical acknowledgment that both houses of late-night television might host the same guests at different times, while maintaining a belief that there is room for everyone to shine.
In the exchange, Jorge Javier conveyed his own friendly tone, welcoming the chance to invite guests to his show while simultaneously acknowledging the long-standing collaborations that characterize the sector. He spoke of maintaining a comfortable and inviting atmosphere, joking that sometimes the best conversations come from arriving with a fresh and hospitable space that makes guests feel at home. The spirit of the message underscored a philosophy: success is not about locking doors but about inviting a broader circle of voices into the conversation.
Jorge Javier’s humor continued in the later sections of his message, where he described the envisioned decor and format of the new project. He admitted a touch of nervous anticipation about joining an older neighborhood of television, where political calls are replaced by face-to-face moments on the set. To capture this mood, he proposed naming the program something akin to Chinese Fairy Tales, signaling a playful blend of cultural storytelling and lighthearted storytelling conventions. He also emphasized that things would proceed with discretion on political topics, choosing to focus on entertainment and dialogue rather than controversy.
As the plan unfolded, the broadcaster spoke about assembling a team to support the new concept. He hinted at a curious wardrobe choice, describing a very old, strongly oriental suit that would align with the program’s thematic inspiration. The idea was to nightly welcome a guest who would share a story about China, producing a tapestry of perspectives and oral traditions. The host stressed that the show would not rely on a single voice; instead, a diverse lineup of collaborators would contribute to a lively, multifaceted experience. He listed several colleagues, each bringing a different flavor to the conversations, from humor and impersonations to candid commentary. He also mentioned a memorable feline correspondent, a cat named Jing Jing, humorously noting the possibility that listeners might know the animal as part of the show’s unique repertoire. The message closed with a cordial sign-off, inviting listeners and their guests to share in the upcoming journey.