Actor Ruzil Minekaev, known for the film A Boy’s Word, was seen in public with his wife Aziza. The sighting was shared by the Telegram channel Kadin.Ru, noting the couple’s coordinated appearance and the media’s interest in their public outings.
During the photo session with journalists, the pair presented contrasting, stylish looks. Minekaev chose a classic, understated ensemble featuring black jeans paired with a long-sleeve top, while Aziza opted for a bodysuit combined with printed blue jeans, creating a balanced and visually engaging contrast that drew media attention.
In a recent interview conducted by blogger Nadezhda Strelets, Minekaev discussed his early days in Moscow, revealing that he had borrowed money from his mother to relocate. He described Moscow as a challenging environment at the outset, recounting that he rented a modest room with a person he described as a bit of a drinker and worked two jobs every day of the week to establish himself. His move to Moscow came in 2019 after he joined the correspondence department of GITIS, where he pursued his studies while still navigating the demands of a new city.
Director Zhora Kryzhovnikov, who led the film The Boy’s Promise, spoke in February about the project’s long-term vision. He explained that he and his team envisaged three seasons for the series, each dedicated to a distinct year: 1989, 1991, and 1993. Kryzhovnikov noted that these periods offered rich material for storytelling, suggesting a wealth of compelling narratives could be explored. Despite the ambition, he indicated that he has decided to pause work on The Boy’s Word for the time being, allowing space for new creative directions.
There was also notable attendance by Bianca at the premiere of The Boy’s Word, who appeared on the event’s visual scene and contributed to the premiere’s overall reception. The presence of Bianca and the public appearances by Minekaev and Aziza together underscored ongoing public interest in the film and its ensemble cast, as fans and media alike follow the developments around the project and its key figures (sources: Kadin.Ru and interview transcripts with Nadezhda Strelets).