In prime time on Wednesday, the audience followed a notable shift as a new episode aired under the title Siblings. The Turkish series emerged as the top draw in its time slot with an exceptional rating, attracting around 1.3 million viewers and capturing a 15.3 percent audience share. The dramatic leap in viewership underscores the show’s growing resonance with viewers across the target markets in Canada, the United States, and Spanish-speaking audiences who follow international serials closely.
Telecinco emerged as a strong second option with a fresh transition program titled If I Were Rich. The film managed to replace La Traición after a single episode, yet it could not quite compete with Antena 3’s overall offer. La 1, conversely, finished the evening with single-digit numbers for the film. On another note, the feature On the Verge of Tomorrow, featuring high profile names, did not manage to secure a higher primetime standing.
Four Travelers showed growth compared to the previous week, achieving a noteworthy 7.4 percent share with a special broadcast anchored in the Vigo region. The broadcast schedule remained straightforward and decisive. The segment about Pedro Almodóvar delivered notable attention in the sixth time block, highlighting the cultural pull of Spanish cinema within the lineup.
Across the networks, audience distribution reflected a competitive landscape. Antena 3 reported strong performance in various hour blocks, while Telecinco reported solid numbers across its evening slate. Siblings ranked among the most watched items in its time frame with substantial reach. The data also highlighted the draw of internationally recognized films such as The Edge of Tomorrow, which attracted a meaningful audience, though not enough to dominate prime time.
Audience shares and viewership numbers appeared repeatedly in the night’s tallies. Siblings reached 15.3 percent with about 1,267,000 viewers. What a Holiday achieved 8.3 percent with around 894,000 viewers in its extra slot. The five star cinema entry If I Were Rich recorded 10.5 percent and 821,000 viewers in its peak window. Other entries showed mixed results with smaller yet stable audiences across multiple films and series across Telecinco, Antena 3, and La 1.
Several prime time blocks demonstrated a diverse mix of content. One block featured Four Travelers at 7.4 percent, followed by various entertainment shows that attracted mid-to-upper single digit shares. Another notable entry was Pedro Almodóvar focused programming which drew attention among viewers with related films and discussions. Across the schedule, many programs delivered in the 7 to 12 percent range, illustrating a broad audience appetite for both drama and light entertainment in the evening hours.
In terms of channel performance, Antena 3 consistently delivered strong numbers during the evening and late afternoon blocks. La 1 posted a broader range of results, sometimes dipping into the single digits depending on the program. LaSexta and Cuatro also contributed to the night’s overall ratings, balancing the shares with their distinct audience segments. The day’s totals placed Antena 3, Telecinco, La 1, and LaSexta in a close competitive frame, each building momentum with different program choices and timing.
The final tallies for the late afternoon and daily averages showed Antena 3 leading the pack in several windows, followed closely by Telecinco and La 1. LaSexta offered steady performance across its schedule, while Cuatro and La 2 occupied smaller yet meaningful portions of the viewer pie. From a broader perspective, the evening and daily averages painted a portrait of a diverse viewing landscape where international content and local productions share the spotlight with pop culture and film.
Across the month, the same channels demonstrated consistent patterns. Antena 3 held a steady lead with clear audience preference in some time blocks, while Telecinco and La 1 alternated in high engagement depending on program choices. The landscape remained dynamic, reflecting ongoing shifts in viewer habits and the continual appeal of both original programming and imported titles among Canadian and American audiences with an interest in European television dynamics.
In sum, the night underscored a vibrant mix of serialized drama, cinema oriented slots, and light entertainment, all contributing to a robust overall broadcast ecosystem. The balance among Siblings, If I Were Rich, The Edge of Tomorrow, and Pedro Almodóvar centric programming highlighted how audience preferences evolve throughout the evening hours, with each network staking its claim in a crowded prime time arena. Attribution: broadcast ratings data from the regional networks and associated stations, compiled for comparative analysis of audience engagement and share across the major networks on the night in question.