Gohar Avetisyan, a well-known makeup artist, drew attention by echoing the striking look of American rapper Doja Cat. She posted the recreations on her social media channels, sparking discussion among fans and followers alike.
The blogger’s interpretation mirrored Doja Cat’s appearance from a notable moment at the Schiaparelli show during Paris Fashion Week. In that event, Doja Cat chose a bold, crystal-dusted ensemble designed to captivate the audience and photographers. Crystals were a dominant feature, carefully applied across the head and face to create a shimmering, otherworldly effect that underscored the dramatic nature of high-fashion staging.
In this duplicate look, Avetisyan chose to cover her own head, face, neck, and hands in red paint before individually placing each crystal on the skin. The process extended to twelve hours of meticulous, hand-applied crystal work. The creator described the result as a bold image that gained widespread attention online, noting that the moment resonated with her audience even if it did not land with everyone. She wrote that a large share of the internet response would come from a place of curiosity and admiration for fearless self-expression.
Reception among fans, however, proved mixed. Some followers voiced strong disapproval, with comments labeling the image as off-putting or exaggerated. Critics described the look as extreme or overdone and questioned the value of replicating a fashion moment so literally. The reactions highlighted the divide that often accompanies high-concept fashion projects, especially when they blur the lines between performance art and personal branding.
Meanwhile, Paris Fashion Week continued to elevate Doja Cat as a central figure of the event. The performer arrived on the scene with a crystal-embellished bag shaped like a tequila bottle, adding another layer to the week’s spectacle. This accessory choice amplified the party-ready, avant-garde mood that characterized much of the runway-side chatter and public interest during the shows.
In related coverage, reports noted that Gohar Avetisyan’s public remarks extended beyond the fashion moment itself. Earlier discussions had drawn attention to commentary from Avetisyan about the makeup artistry scene, including reflections on courses and training within the industry. The dialogue underscored how prominent industry figures can influence perceptions of professional education and stylistic risk taking. The broader conversation touched on how social media amplifies both praise and critique when creators push stylistic boundaries in public view.