Yaroslav Dronov, a performer who identifies with shamanic traditions, has become a focal point in a wave of online chatter about the intersections of music, politics, and internet governance in Russia. The discourse centers on his real name, his claimed connection to a so‑called secure internet league, and the prominent public figures linked to that circle. In various statements and public remarks, the artist spoke of unity for Russia and hinted that more specifics would be revealed on a designated date. Across different interviews and social posts, Dronov framed his work as part of a larger program, signaling that supporters and critics would soon learn more about his plans and the roles he envisions for those aligned with his vision. Cited: reported by multiple media outlets and online channels.
On February 3, a Telegram channel named Base circulated a clip alleging that during a performance at Moscow School No. 1409, Dronov appeared to simulate a kiss with Ekaterina Mizulina, who is associated with leadership responsibilities within the Secure Internet League. The report described how students had reportedly wished to see a kiss between two participants, prompting Dronov to approach Mizulina and cover his face with his hand as he mimed a kiss. The video published by the channel appeared to capture a moment of surprise and muted reactions from onlookers, with some students seemingly reacting with disbelief or dismay. This account, like others surrounding the shaman and his circle, was presented as a social media narrative rather than independently verified fact. Cited: Telegram channel Base.
In October of the previous year, Elena Martynova, a senior executive at Megafon, was described in reports as moving through a separation from Dronov. Sources suggested that a divorce certificate had been shared via a telegraph channel and that the couple had begun to chart their separate paths. Martynova herself was reported to acknowledge the split and to emphasize that the two would maintain a cordial relationship, while observers noted that both individuals had publicly addressed the breakup on social platforms. The framing in these narratives positioned the separation within a broader context of high profile personal transitions among public figures connected to the circle around Dronov. Cited: social media reports.
Some postings in the online conversation attributed the breakup to mutual strains, with language indicating that either party could bear responsibility for the deterioration of the relationship. Still, the prevailing tone in much of the coverage suggested that, despite the tensions, both parties aimed to preserve a respectful and friendly stance moving forward. The dialogue around the split reflected a pattern seen in celebrity circles where personal upheavals are quickly integrated into ongoing public narratives, often amplified by fans and commentators who track every development across social networks. Cited: online commentary.
Earlier discussions in the same milieu touched on other familiar names in the entertainment sphere, including Maxim Galkin and Alla Pugacheva, who were referenced in relation to public appearances and styling choices. The references to these figures appeared within broader gossip threads that connect pop culture with the wider questions about influence, media visibility, and audience engagement in Russia. The entire sequence illustrates how gossip, official statements, and media reports intertwine when public figures navigate personal milestones, professional transitions, and the evolving landscape of internet governance debates. Cited: media chatter.