Now the television story is heating up in the auto industry. In ‘Està passant’ (TV3) they cried out in pain: “Madrid “He stole Formula 1 from us!”and, in a more humorous tone, they added: ““They don’t stop taking assets from us: corporations, music festivals and even Jordi González!”. And they consoled themselves by remembering the other Formula 1 that Francisco Camps promoted in Valencia between 2008 and 2012, which ended in an absolute disaster with a gap of 230 million, which the Valencians paid out of their own pockets.
So maybe they consoled themselves by thinking that Madrid would turn into a ruin like Valencia. ‘El intermedia’ (La Sexta) comedians also drew attention to the issue. They parodied Isabel Diaz Ayuso Driving the car at full speed on a track that doesn’t even exist yet. AND Sandra Sabates, he also detailed, looking back, the waste of Valencia, the black hole – as we call it – being covered with public money, plus the shame that today this circuit has been abandoned and a slum area and illegal landfill have developed within it. rubbish. So maybe in ‘The Intermission’ they were warning us about how the Madrid Formula 1 incident could end. Ah! It may seem like a malicious approach. But a closer look shows that PP, as director of public works, sports and urban initiatives, faces a tremendous panorama of waste and errors. He is also a collaborator of ‘El intermedia’, Erik HarleyIt has long had a section titled ‘Pormishuevism’ where it shows us useless pharaonic projects paid for with public money. From airports without planes (Castellón) to the City of Justice Esperanza Aguirre, A wasteland, a wasteland costing 355 million.
On the day when it was known that Madrid would enter Formula 1, they gave us something special in the ‘TN vespre’: “According to the information obtained by TV3, Madrid will pay 48 million dollars a year to the F-1 organization. “Catalonia pays 26 million dollars to Montmeló every year”. These are analyzable data. This shows that the famous ‘zero cost’ in the F-1 does not exist for now. Television can also give us a graph of the games that the Generalitat has ‘injected’ into Montmeló since 1991. Not in a stingy or narrow-minded spirit. With a desire for didactic and public service. So that citizens can distinguish whether it is an expenditure or an investment.