Jaime Lorente, the versatile actor from Murcia, stars in a new cinema release that dropped just last Friday. The film, a compact 42 seconds movie, places him at the center of a sports drama inspired by the life and times of Pedro García Aguado. This project models the energy of the television world where the hero of the popular show ‘Brother’ faces not only formidable opponents but also the pressures of teammates and, perhaps most challengingly, his own inner conflicts. Lorente is fully engaged in the drama film Jesus and the King, and expresses a palpable sense of anticipation for the opening week and for the films release to audiences.
How does a true story like the one told in ’42 seconds’ take shape?
The filmmakers aimed to preserve a significant milestone in Spanish water polo and its Olympic story while honoring the lives of Pedro García Aguado and Manel Estiarte, two figures who hold a special place in Spains sports history. The team had the opportunity to meet these two icons, and their warmth and guidance infused the project with authentic emotion. The entire experience of making the film felt like a gift, made even more special by the camaraderie on set with a crew that was a joy to work with. The end result is a project that invites audiences to witness a pivotal chapter in the sport and its culture—told with care, passion, and real human moments. [Source: interview notes]
Does the character’s creation vary a lot depending on whether it is fact or fiction?
It depends. In this case, the aim was to strike a balance between defined traits and the openness that fiction offers to tell a near-real characters story. After the line between fact and fiction is crossed, the goal becomes adjusting details to keep the narrative compelling and believable, while still respecting the truth at its core. It feels like juggling, where precision meets imagination and where the story stays alive because the character can breathe in new possibilities. [Source: interview notes]
Has Aguado seen the movie?
Yes, Aguado has watched the film. Although the interviewer wasnt present when he viewed it, he sent a warm message expressing enthusiasm and happiness. That response meant a great deal to the cast and crew, serving as a meaningful sign that the portrayal resonates with the people at the heart of the story. [Source: interview notes]
Did you do a lot of water polo practice before shooting?
Absolutely. Water polo is a demanding sport, and authentic execution on screen required extensive training and practice. The cast spent considerable time in the pool to master the movements, tempo, and rhythm of real game play so the sports scenes would feel genuine and impactful for audiences. [Source: interview notes]
Aguado’s character has a makarilla attitude, but he also has a lot of charm, do you look like him in that sense?
The portrayal aims to avoid a caricature. The character comes across as fairly ordinary in his core, with traits that can appear both tough and likable at different moments. The actor describes himself as a pretty normal person, bringing a grounded presence to the role rather than an exaggerated persona. [Source: interview notes]
The movie deals with the issue of drug addiction, what do you think about the representation of drugs in fiction?
Thoughtful representation hinges on context and the storytelling approach. There are many films across genres that tackle drug use in varied ways. The filmmaker would rather discuss a specific movie to illustrate a point, but overall the portrayal should acknowledge the reality without reducing characters to a single issue. Its a reminder that films can reflect real-life complexities while still serving the story at hand. [Source: interview notes]
Within ’42 seconds’.
The theme of struggle is woven into both the narrative arc and the development of the character. It was essential to reveal the tunnel of hardship and to show how endurance shapes choices and outcomes. The film does not shy away from intense moments; instead, it uses them to advance a message about resilience and accountability. [Source: interview notes]
And in your songs?
The approach to music is not to spell everything out. Lyrics are left open to interpretation, inviting listeners to bring their own meanings to the melodies. This openness allows songs to resonate across different listeners and experiences. [Source: interview notes]
After two years in the trap, do you prefer a musical or theatrical stage?
There isnt a single preference. Music and theater are distinct worlds, each offering its own form of challenge and thrill. The actor finds value in both, believing they can complement one another rather than compete. [Source: interview notes]
What is your musical creative process?
Creativity arrives when there is focus, not through improvisation alone. The process centers on preparation and deliberate composition, allowing ideas to emerge in a clear, structured way that still leaves room for spontaneous moments when the moment calls for them. [Source: interview notes]
How about Arenal?
Arenal was a joyful experience. It was well received, and the time spent there was marked by warmth and a positive reception from audiences and collaborators alike. [Source: interview notes]
You studied at ESAD in Murcia. What do you think about the fact that acting education is still not considered an official university degree?
The question about formal recognition is complex. While opinions vary, the reality is that formal credentials would be a helpful acknowledgement of the craft. The actor notes that he doesnt have a definitive stance on the policy issue and prefers not to dwell on those specifics. [Source: interview notes]
You have worked with artists such as Javier Bardem, Penélope Cruz or Ricardo Daredn in Iranian Asghar Farhadi’s Todos lo saber. What did you learn from the experience?
Above all, life itself teaches. Working with such extraordinary colleagues and a director of that caliber is an unforgettable opportunity. The core lesson echoes what teachers have shared: a love for the craft and respect for the work. The experience underscored the value of collaboration, professionalism, and staying true to the story while embracing diverse perspectives. [Source: interview notes]